A song like 'Tears Dry on Their Own' is really sad, but it's hopeful, too - that was my theme song for the first boy who broke my heart.
If you want to page me, It's OK! I've actually had guys tell me they were fans from the 'Kim Possible' days. And I've met people who still have the 'Kim Possible' theme song as their ringtone.
There's little kids on trains coming up to me, singing my theme song, and they can barely walk.
My theme song is always: 'Pay attention to your viewer. Follow them.'
Everyone needs a theme song! It should make you feel like a million dollars.
I got a great kick being in the Warner Bros. studios - that was really cool. I kept singing the 'Looney Tunes' theme song all day. I'm sure they haven't heard that one before.
My theme song is 'One Tin Soldier' by Coven.
My favorite thing to do as a kid was pretend I was in the opening credits of a sitcom. As the theme song would play, I'd look up at the imaginary camera and smile as my name would flash on the screen.
At college - I went to Yale, and everybody's very smart, and everybody has their thing that makes them special, and people at Yale would pretend they didn't recognize me. Only after they'd had a couple of drinks would they start singing the 'Life Goes On' theme song.
I'm singing the music publisher's theme song - it ain't a commercial.
What's great about 'Spy Hunter' is that we have an amazing title, an awesome car, and a great theme song, and we can use that to launch a new franchise that hopefully will compete with the other ones but just be kind of the more fun, video game version of a spy movie.
The first mp3 I downloaded, which I guess was illegal, was a symphonic rendering of the Super Mario Brothers 1-1 theme song. It was great. I was like, 'This is blowing MIDI files out of the water. This is the future, right here.'
I can sing every single word of Honky Tonk's theme song. He was great. He might not be that cruiserweight-style wrestler or a Bret Hart-type of wrestler, but I thought he was great. He was such an over-the-top character, and it was a character on the peripheral of wrestling.
If I found a cure for a huge disease, while I was hobbling up onstage to accept the Nobel Prize they'd be playing the theme song from 'Three's Company'.
Then a friend of Jim's suggested we make a theme song to explain the story, and this is where the Mads came from. Josh and I wrote it into the theme song.
I didn't never have to go to a therapist. I just always put it in a song and you heard me.
The song 'Bite the Thong' in particular, with Damon Albarn, really encapsulates the whole dilemma of, 'Hmm, should I stay on the underground when everybody else is selling out?' Nowadays, you can just do it - have your name-brand clothes, do songs with rock n' rollers - and it's not considered selling out.
I can sing the saddest song with a bunch of people, and the feeling of sharing that energy activates in a way that either heals it or makes me feel like I've risen a thousand miles above it into space, and I'm staring down on it as a little dot.
My mother always told me, even if a song has been done a thousand times, you can still bring something of your own to it. I'd like to think I did that.
There's no real high like finishing a new song, playing it a thousand times in your car, and freaking out with your co-writers.
