I bring forward stories from the lives of everyday Americans: those whose path hasn't been set out on easy street or who haven't been given it all, those who are actually forging ahead because of their own personal resources, their moxie, their survival instincts.
There are many types of education: formal education, street education, personal education, experiential education, and I've found that I've had different partners who have a lot of wonderful intellect and education from all different types of sources.
I was for two years a pupil at the Model School in Fort street which was then conducted upon the Irish national system, and if any special religious instruction was given in connection with that system, I do not recollect it.
Forty Wall Street is probably the most beautiful tower in New York.
I don't like it when people leave their takeaways on the street: it makes me sad and it draws foxes and rats.
We have seen that in this country in the last few years, particularly on Wall Street, with the rise of the old human frailty of greed. This occurs when people begin to serve only their own needs to the detriment of everyone else.
On Wall Street, fraudulent schemes tend to thrive during economic booms, and to blow up when times turn tough.
When Basquiat was hanging out with Madonna and Fab Five Freddy, and all those worlds were colliding, people have to realize hip-hop and the arts were like this 'cause we both were outcasts: we wasn't allowed inside the galleries or inside Yankee Stadium. We were writing in the street and making music.
Had I not done Shakespeare, Pinter, Moliere and things such as 'Godspell' - I played Judas in a hugely successful production before I did 'Elm Street' - I'd probably be on a psychiatrist's couch saying: 'Freddy ruined me.' But I'd already done 13 movies and years of non-stop theatre.
London Fashion Week is so different from any of the others. Compared to the strictness in New York, London seems freer from commercial constraints. Truer to the process, to street style, to a sense of humour.
My kitchen in New York City is in the Richard Meier building on Perry Street, so it's ultra-modern: white, glass and transparent. It's 180 square feet, with an induction stove. Everything's hidden, so you don't see the microwave or the fridge.
I walk out my front door in New York and I'm out on the street and there are people everywhere. L.A. is so much more spread out, so it's really easy in L.A. to have a little more isolation and to just not see as many people.
When I was ten, I did a play at the Henry Street Settlement Playhouse, Charles Fuller's first play. He went on to write 'A Soldier's Story,' among other things. I realized, 'Oh, I can be anything doing this.'
We never know what the Street is going to do with the funky trading.
No one wants to read a story where I saw a cute puppy on the street and I petted it. I mean, that's not funny. I only write about the funny stuff.
Gambling can turn into a dangerous two-way street when you least expect it. Weird things happen suddenly, and your life can go all to pieces.
When it kind of went to 'Street Fighter', where you had to push 13 buttons with all 13 of your fingers and ripped the spine out of somebody, you know, violent games lost the women. Complexity lost the casual gamer.
Every city in the world always has a gang, a street gang, or the so-called outcasts.
I wanted to be a gangsta from birth, not because of the music but moreso what I was seeing, what my uncles were doing. I was just fascinated with the street lifestyle from a young age.
There's always the hyena of morality at the garden gate, and the real wolf at the end of the street.
