I like a lot of Ralph Lauren and classic styles... My style has changed in that I'm willing to try more things.
My foundation is acoustic guitar, and it is finger-picking and all of that and sort of an orchestral style of playing. Lead guitar came later, more out of the necessity to do so because of expectations in a particular situation.
I used to play quite a good lead guitar, R&B style. Clapton and BB King are heroes.
The newspaper is, in fact, very bad for one's prose style. That's why I gravitated towards feature stories where you get a little more leeway in the writing style.
Hendrix was the bass player for Little Richard. We were both left-handed, but we would use a right-handed guitar held upside down and backwards. He developed my slides and my riffs. In fact he used to say, and this is documented, 'I patterned my style after Dick Dale.'
Our fashion style is very legendary and very classic. I feel like it's different, and I feel like everybody got our own different style to bring to the table.
Kingsley Amis was a lenient father. His paternal style, in the early years, can best be described as amiably minimalist - in other words, my mother did it all.
Sometimes I'd hear things on other people's records and I say I wanted it on my records, but Leslie Kong said, no, it wasn't right and that it wasn't my style.
Denim comes and goes into style often, but my Levi's have longevity. They will never be just a fad.
I am a Libertarian Republican in the Goldwater style.
When I was younger, my mum used to dress me in, like, lime green leggings with a matching neon jumper and hair scrunch, so I'd say I've definitely progressed since then in terms of style.
T-shirt and jeans style now is where I'm at. Maybe a little rock 'n' roll T-shirt and jeans.
Animation is awesome because there's a really bold type of comedy you can get away with that you couldn't get away with in live action: a broader, campier style.
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
Sometimes, things need to be so understated on film that I don't even see them as funny, which isn't my favorite style, comedically. When I watch film comedy, I like people that are a little bit more alive on the screen and wound up. I like volatility and unpredictability and other long words like those.
My sense of style is an old Polo shirt, jeans and, unfortunately for the longest time, white running shoes, which was not attractive. The one thing I've learned about clothes is to ask a girl.
At the beginning of writing fiction, too much of the newspaper style was getting into the prose, so I thought, 'Gee, I should try writing longhand. Maybe I can tap something that goes back to the point before I could type.'
Everyone looks at your watch and it represents who you are, your values and your personal style.
Most of my playing style is very on point - the tapping, just by nature of being rhythmic, is tight - so I'd like to explore something looser and less precise.
When you're doing lots and lots of episodes and you're playing the same character, it's great because you really get to know the character and it becomes a really fast style and you find subtleties in it.
