Some people think that movements, such as the movements in ballet, are a higher cultural expression, whereas some are just dirt. I think it is elitist to think that a trained movement is more acceptable than untrained and possibly unrehearsed movements.
Many people think of perfectionism as striving to be your best, but it is not about self-improvement; it's about earning approval and acceptance.
Most of us fall in love with someone's persona and spend the next three to five years discovering who that person really is. If you can stay connected through that process of raw vulnerability, I think you have a shot at the prize of knowing and accepting another human being for who and what they really are after years of highs and lows.
I think self-criticism is sort of a given when you're an actor. It's also about being curious and not being flippant. Anyone who accepts being in this noble profession is automatically self-critical.
I think more tolerance, more people having more access to a chance to be literate, and a chance to stay healthy makes for a more peaceful planet.
I think the thing I've always tried to do is - and I didn't plan it, it just started to come out that way - is try to make challenging music that flirts with accessibility.
I think I'm obsessed with accessibility which is why, when I'm touring, I want to play all ages shows.
I think it is incredibly important to be open and accessible and treat people fairly and look them in the eye and tell them what is on your mind.
I think 'Invisible' is a great song, but I don't know how accessible it is.
Some people act as though art that is for a mass audience is not good art, and I think this has been a very negative thing. I know that I have wanted very much to write books that are accessible to the widest audience possible.
When I go to work, I don't want to make depressing, gritty, urban stories that are depressing to watch. I want to give people something to enjoy. When people think I'm a control freak and an ogre - which I am - it's only because I want my work to be accessible and Everyman, in a way.
I think the accessories look very modern and very exciting. These big earrings, these big hoops. I think the girls are sort of falling in love with... collars, neck collars.
I don't like to be rushed. I plan my outfits for the week in advance. I find the appropriate outfit for each occasion, try it on, make sure it is in good condition and have it all ready with shoes, handbag and accessories laid out in my dressing room. Fashion is such a huge part of my career, I have to think ahead.
I design for real people. I think of our customers all the time. There is no virtue whatsoever in creating clothing or accessories that are not practical.
If you think a child is going to be your accessory... it's not like a micro pig. It's not about putting them in front of the television. You need to read to them at night.
I think being fashion forward is stepping out of your comfort zone with just even a single piece - an accessory, footwear, a dress - something that shows your style but is just a bit outside of your comfort zone.
Contacts would bother me. I'm just not that used to them. I think glasses are a great accessory.
I am essentially a recluse who will have very little to do with people wherever he may be. I think that most people only make me nervous - that only by accident, and in extremely small quantities, would I ever be likely to come across people who wouldn't.
I don't think you can separate a place from its history. I think a place is much more than the bricks and mortar that go into its construction. I think it's more than the accidental topography of the ground it stands on.
The truth is, I mostly thought about 'Accidental Racist' in terms of my fans. This song was meant to generate discussion among the people who listen to my albums. What I was most worried about is that my fan base would think that I was preaching to them.