I think the answer of course is that space and time are not these hard external objects. Again we're, scientists have been building from one side of nature (physics) without considering the other side (life in consciousness). Neither side exists without the other. They cannot be divorced from one another or else there is no reality.
I'm hopeful that commercial space exploration will takeoff. To really fuel the spaceflight revolution will require an investment of hundreds of billions of dollars a year, and I think that's only going to happen in the commercial sector - if there are large profits to be made.
Just to continue a space program because it's a space program? No, I don't think we have an obligation for that.
I think the legacy of the space station will be that we can do something this technically complex in an international way.
I think you're going to see an interest in space tourism, space travel for the sake of travel.
I don't think we're going to build a 50-person spacecraft or a 100-person spacecraft.
You don't think about the danger. The spaceship becomes your home.
I'd always just look at Chanel and Kate Spade and think how incredible these brands were.
I never thought that I would become a staple in the Australian cultural diet. The equivalent of bread or milk, or a fine old Tasmanian Mauve Vein. I think it's because I talk about things that people dare not mention. I don't mean raunchy things or unsavoury things. I call a spade a spade - I discuss things in a realistic manner.
Red House Painters were doing cover songs before our first record deal. I remember live shows where we did an AC/DC song; I think we did 'Send In The Clowns' by Judy Collins. We did 'The Star Spangled Banner,' which came out on our third record.
I think, for me, humour needs to be used like a strong spice - sparingly.
I think about the movie 'Jaws.' They had this state-of-the-art animatronic shark, but it kept breaking down, which kept delaying the filming. So, they had to use it very sparingly, but it became why the film was so good because you never saw the shark. You only heard about it, and it was suggested.
We got pretty techno on 'Eliminator' and 'Afterburner,' which I enjoyed. I think they're good albums, but we wanted to start using the techno element a little more sparingly.
I wanted to do Dreamgirls. If they're doing a stage production of Sparkle, I think that would be hot.
I've done all the table reads for Johnny Depp as Jack Sparrow for all the pirate movies, because he's just been doing other stuff, and I just love the whole Jack Sparrow thing he's got going on; it is just genius, and I just think he has so much fun with it.
I think I understand something about space. I think the job of a sculptor is spatial as much as it is to do with form.
I think that what 'Oz' did is it spawned a great generation of television production. But people know its place in television and just in great dramas. It's the foundation of my career. Most producers, show runners, directors, and casting directors put me in movies based on my performance in that show.
I think the general anxiety of the 1960s - '70s spawned our interest in the living dead. When people worry about the end of their world, they need a safe vessel for all their fears. Zombies provide that vessel because they're 'safe.'
Do you wish people to think well of you? Don't speak well of yourself.
Generally speaking, if a human being never shows anger, then I think something's wrong. He's not right in the brain.
