I think any carmaker that had a brain and was looking very long-term would think about 'Personalised Transport Solutions' - which may not be a car.
I've always enjoyed film, but I'm a little afraid of it because I think it is very powerful as a medium. You have the visuals, the sound, the colors, all of these things coming at you, and they transport you physically so it becomes this surround sound, virtual reality.
I sometimes fall into the trap of doing what I think I should be doing rather than what I want to be doing.
The trapeze was my first love. To me, it's normal. It's all I've ever known. But when I see other people's upbringings, I think, 'Hmm... mine was rather unconventional. Quite different!'
I think that the first 'Saw' was really more of a psychological film about two people stuck in a room, and the traps and games that fans seem to embrace so much now were quite a small portion of the film.
I don't think people get the pressure of becoming famous and what it does for an artist. What does that for your creative self. And what that can do for your mental health. And I would say, from year two to year six or eight of 'Grey's,' it was extremely difficult and very stressful and traumatic, if I'm being honest.
I think the tech stock, the public market is still completely traumatized by the dotcom crash. I think the investors and reporters and analysts and everybody is determined to not get taken advantage of again, and that is what everybody who lived through 2000, what they kind of remember.
I didn't have any expectations with 'Traveller' - I don't think anybody did. That's how I prefer the process to be.
I think some of the best modern writing comes now from travellers.
Words are more treacherous and powerful than we think.
I don't think that my art isn't serious. I think the subjects are not serious, or my treatments of the subjects are not serious. But then, I'm also putting down subject, because like the abstract expressionists, I don't think the subject is important.
I don't like a tremendous amount of conflict. I don't think that fighting and passion are the same thing.
I don't think there were great beauty trends in the '90s - I was just doing my own thing.
I think music follows the trends of the collective conscious.
So, I think it has to do with the product and what you take to the public. If they like it, they're going to come see you, and if they don't, and if you're kind of getting out of the trendy line of things, then they won't come see you.
My concepts are never bright ideas; they're never notions I think will sell or be trendy or attract new fans. I don't think that way. All I can do is sing from my life.
If you don't have nerves and a little trepidation about any new project, then I don't think you're really alive.
I think a lot of what you do in acting, and for the most part singing and dancing and everything, is trial and error. It's all about just seeing what works, and if it does, to use it, and if not, to throw it away.
I had to go through so much trial and error to get all the whack-ness out of my system as a kid. I think everybody has to do that. You have to go through a period of failing in order to get better at it - whatever you're doing.
Most lawyers aren't trial lawyers. Most lawyers, even trial lawyers, don't get their problems solved in a courtroom. We like to go to court. It seems heroic to go to court. We think we're the new, great advocates, better than anything we've seen on TV, and we come home exhilarated by having gone to court.
