My theory in the '90s was that I didn't want to take a Jane Austen book I loved and reduce it to a 90-minute movie. The Emma Thompson-Ang Lee 'Sense and Sensibility' was beautiful, but other ones, I didn't think justice was being done. It's not a slam dunk to adapt these books.
The idea that we're going to austerity ourselves into prosperity is so mistaken, and honestly, I feel like one of the big problems we have is that, because Democrats don't have a deep understanding of or degrees in economics, they allow Wall Street folks to roll in the door and think that they're giving them an education.
One of the things that happens when you have austerity is that wages get lower, and some people think lower wages in the short run can increase corporate profits.
I think I would say that there is absolutely no way to reconcile an austerity agenda with climate action. Our political class needs to understand that the fight against austerity and the fight for climate action are the same fight.
We didn't roll credits after 'Monday Night Raw.' You know, it didn't say, 'Stone Cold Steve Austin played by Steve Austin,' so all of a sudden people think that's who and what you are 24/7, you know, 365 days a year.
I've never crossed over to be a big star. I'd like to be in a big $100 million movie, though. 'Cause I was in an 'Austin Powers,' I think I had two lines, and every once in a while, I get a check, a really nice check, for that movie.
For a long time, there was this rumor that I turned down doing 'Austin Powers,' which is not true. While they did send me the script, I don't think I was ever a serious consideration to direct it. I'm sure they probably sent it to 20 others as well.
Yeah, I think it's an absolute disaster that Australia, the government, allowed kangaroo culling.
I don't know, maybe Australian humour isn't supposed to be funny. It's as dry as the Sahara, and I think people miss that.
I just feel like a Filipina, a Filipino woman, and it just so happens that when I was growing up, I was very much an Australian, and I think you can be both.
I think, often with Australian films, if an Australian film has been given the seal of approval by an offshore festival or an offshore release, then it does mean a lot to a local audience.
I like the sensibility of Australian film a lot and the crews are fantastic. Great characters, wonderful people and no line between - I think in Hollywood they have this line between actors and crew a lot, and that just didn't exist, which I really appreciated.
I always think the really unfortunate thing about the Australian film industry is its lack of momentum. And I don't mean this in a derogatory way. I'm always wanting it to pick up momentum, and I'm wondering if that's even possible.
I would think Australians would understand 'guy talk' better than most. Definitely better than Brits.
I think probably Australians have just a little more taste than most people.
I think comedy has to come from your authentic point of view.
I don't think anyone's sexuality needs to be a public issue other than to give others the confidence to love themselves wholeheartedly and to be their true, authentic self without any shame.
I don't think about my look that much, to be honest. It's what I've always known, it's what I've grown up with, and I wouldn't ever want to step too far away from my most authentic self.
It might kill you to say it, because the film really takes on the Catholic Church, but I do think there is a sort of affection for certain rituals, and an authenticity to the presentation of those rituals, in 'Mea Maxima Culpa.'
Obama might think of himself as one, but he is not a dictator. We are not a banana republic yet. This is not an authoritarian form of government. This is a constitutional republic, and the president doesn't allow or disallow. The president can't buy or purchase.
