For the millionth time, I'm retired. I keep saying it, and people keep answering, 'Well, maybe he doesn't mean it this time.' But I do.
I've been on both sides; I've interviewed people, and I do an okay job, I guess. But it's awful. Because you feel like you have to defend your life, which is such an interesting concept. It's not an easy process to sit down and talk about, 'What's your motivation?' Because as I'm answering, I'm working it out for myself at the same time.
I don't really have time to sit down and write. But when I think of a melody, I call up my answering machine and sing it, so I won't forget it.
Remember that when you meet your antagonist, to do everything in a mild agreeable manner. Let your courage be keen, but, at the same time, as polished as your sword.
Perhaps the single most effective antagonist of American business is Ralph Nader, who - thanks largely to the media - has become a legend in his own time and an idol of millions of Americans.
You cannot antagonize and influence at the same time.
Ten percent of the big fish still remain. There are still some blue whales. There are still some krill in Antarctica. There are a few oysters in Chesapeake Bay. Half the coral reefs are still in pretty good shape, a jeweled belt around the middle of the planet. There's still time, but not a lot, to turn things around.
Antarctica is a very alien environment, and you can't survive here more than minutes if you're not equipped properly and doing the right thing all the time.
But, yeah, I'm really happy when I'm writing. When I'm being creative and when I have something that I can put down. You know, if you go out and you overhear a conversation or you have a thought, you have a receptacle to go home and say, 'Oh, this would be great in this script.' Your antenna's out in a different way, and I love that time.
If you chase the market, it's not going to come to you. You have to have faith in yourself. I think one of the differences in what I call 'civilians' and 'authors' is that we have an antenna hat buzzing all the time.
The most scared I'd ever been was the first time I sang at a rugby match, Australia versus New Zealand, in front of one hundred thousand people. I had a panic attack the night before because people have been booed off and never worked again... just singing one song, the national anthem.
There's actually a song called 'Vegas Lights,' which I wanted to be an anthem for Vegas, that represented how I felt when I went to the clubs. I felt this weird energy where everybody was having a good time, and it didn't matter. Dancing like nobody's watching. It was kind of beautiful.
There's a time in everyone's career where you go, 'Ah, this is hard - how long am I going to have to do this?' But the rewards are so great. Who gets to go on the podium and hear the national anthem? The whole nation singing! Money can't buy you that.
There was one film that I really wanted. This was a long time ago; it was a film called 'Fracture.' Ryan Gosling ended up doing it with Anthony Hopkins. It wasn't a giant box-office success, but I really enjoyed the script, and I enjoyed the character. I got pretty close and was kind of disappointed it didn't go my way.
Anthony Hopkins says you just keep acting. Do it all the time and eventually it will happen. He got his break, after all, by taking a role nobody else wanted. A cannibal!
You never get quite down to the bottom of the barrel, but we are much higher than that at the present time. There is quite a lot left in the barrel that could be explained by them. If they have some weapons, if they have some anthrax, they should deliver that.
My work has gotten more political over time, but once you start exploring food, you find you're up against economics and politics and psychology and anthropology, all of these different things you have to deal with.
I think some people think I'm, like, anti-label, and I'm not. I just wanted to sign a deal when the time was right. I'm anti being shot out of a rocket when you're not ready and the songs and image aren't there.
The truth is I don't really like the world of plastic money: the great chip-and-pin double act of modern payment. I prefer cash. I don't like the idea of some distant clerk nodding each time I make a card purchase and quietly adding to my 'consumer profile.' I'm anti all cards.
I certainly don't know a lot of anti-Semitic people, but I've got plenty of friends that have a whole bunch of Jew jokes up their sleeve, and every time it's relevant, it will come up.
