If a man walks in the woods for love of them half of each day, he is in danger of being regarded as a loafer. But if he spends his days as a speculator, shearing off those woods and making the earth bald before her time, he is deemed an industrious and enterprising citizen.
The only time I'm not Hulk Hogan is when I'm behind closed doors because as soon as I walk out the front door, and somebody says hello to me, I can't just say 'hello' like Terry. When they see me, they see the blond hair, the mustache, and the bald head, they instantly think Hulk Hogan.
I can never tell ahead of time which book will give me trouble - some balk every step of the way, others seem to write themselves - but certainly the mechanics of writing, finding the time and the psychic space, are easier now that my children are grown.
I was a news reporter for 16 years, seven of them a foreign correspondent in the Middle East, Africa and the Balkans. Perhaps the most useful equipment I acquired in that time is a lack of preciousness about the act of writing. A reporter must write. There must be a story. The mot juste unarriving? Tell that to your desk.
I forced myself to watch Spanish TV and listen to Spanish radio all the time. I think I'm lucky because, for whatever reason, people from the Balkans seem to have a talent for learning languages.
My game is really played above time. I don't say that like I'm saying I'm ahead of my time. I'm saying, like, if I'm on the court and I throw a pass, the ball that I've thrown will lead my teammate right where he needs to go, before he even knows that that's the right place to go to.
There is a definite loneliness in the game. Most people stay away from you since they think they're intruding upon your time. And after the ball game, when it's 11 o'clock and you want to eat dinner some place, the restaurants are closed.
Working with children is a whole other ball game. They're like little animals. You have to keep the camera turned on them all the time. Sometimes it takes a 41-minute take to get one sentence out in a believable way.
I am the one to admit that I didn't put the ball where it needed to be all the time. But, you know, given the circumstances that we had in Wyoming, we won two back-to-back eight-win seasons. It was a place where we ended up winning football games.
I am a ball player in the summer and a farmer in the winter time, and I aim to be a success at both professions.
I have been listening a lot to The Carpenters and Neil Diamond, Elton John, and thinking, like, 'God, it'd be great to write a sort of subversive, alternative ballad,' like Lou Reed does so well with 'Perfect Day.' And I really loved 'Video Games' - at the time, it hadn't really got as big, but it's a classic song; you can't deny it.
Everyone who knows me knows that I'm a hopeless romantic who listens to love ballads and doo-wop songs all the time.
Finding ballet gave me passion for the first time in my life. I was always very shy and just wanted to fit in; I never daydreamed about what I wanted to be when I grew up. But dancing gave me a connection to my personality that made me grow.
I didn't care how much work it would take, and I didn't see the time invested as a waste or like I was missing out on anything. Ballet became my ultimate passion.
I trained as a dancer when I was much younger, for a large amount of time, like 6 or 7 years. Not to be a ballet dancer, actually, but I thought it was a complement for an actor. I thought that actors should know how to move, should know how to juggle, should know how to do acrobatics.
I came from the musical stage. My first show was '110 In The Shade.' I started as a ballet dancer and then sort of gravitated toward musical theater, so any time I got asked to sing or dance, it was a joy for me.
There's the tradition of the 19th-century ballets, and the 20th century has had a difficult time with that tradition. And it's had a difficult time with many components of the Romantic imagination because of modernism.
There are some ballets you can do for a long time. With others, you have to know when to stop. Some are very destructive. Forsythe's choreography pushes dancers to the extreme. That's why it's best to vary. That way, you break your body a little bit in different places, but not a lot in one place.
I never chased around with the opposition or got too well acquainted with them, because when the time in the ballgame came up where I had to pitch inside, I didn't want to hesitate.
I played a lot of sports when I was a kid so I get in that ballgame mindset of being really, really respectful, but at same time saying to yourself, 'Don't back down a single inch, hang with these guys if you can.' If they throw it high and tight you have to stand in there, you can't take yourself out of that moment.
