There's nothing definite yet. Of course, any time you have a book, there's going to be book signings and stuff. We'll do bookstores that handle both audio and video. And some of the stores want to have the CDs available at the same time. So that part looks real good.
A book store is a treasure chest. Every time you walk in one, you strike gold.
Usually by the time I finish a book tour I've just about had it with the book.
I often feel that I have a split personality. I love more than anything to be in my study writing, but when it's time to do a book tour, I love that extroverted part, too - talking to people, reading, traveling, going out into the world.
You get a painting idea, and you go do that. You get a cinema idea, and you go in to do that. The difference is, even though the paintings might take some time to make, with cinema you are booked for a year and a half, minimum.
My first time on TV doing stand-up, I actually did this show in Holland called 'The Comedy Factory' hosted by Jorgen Raymann. It was in 2006 in Holland. It was amazing. I had only been doing stand-up for four years, and I booked that gig through the Just For Laughs Montreal festival, and they flew me out and put me up.
When K. Balachander saw me for the first time, he booked me for three films and asked me to learn Tamil first.
I owe a lot to my time on 'House of Cards' because, up until I booked that show, I had been working consistently for 12 years, but I wasn't working on anything that mattered in the way 'House of Cards' did to its audience, to casting directors, to directors and producers. The show hit this sweet spot.
If I see an audition for a show or a movie, I'll send a tape in. I attack it. The whole time, I'm booking comedy, so no matter what, I always got that coming in. I'm always working on my craft.
We had gone out on the road in 94 and 95 for a three month American tour, and we realised, as did our manager and booking agent at the time, that we have really exhausted it, and we can't make money at this anymore.
With any luck, by the time NASA's space probe hits Pluto, you'll be booking a spaceflight with a privately run suborbital airline.
The power of a label and radio and a booking agency and all that - you never know until you experience it the first time, but being able to have a song on radio, but then go play a show for people that have heard the song on radio, and having it sung back to you, is - I don't know how to describe it.
Booking travel is not like shopping or groceries or booking a restaurant. It's much less frequent, so understanding what works just takes a lot more time.
Every time I get mad, I grab my hammer and make a bookshelf or something.
In this time of the Internet and nonfiction, to be on an actual bookshelf in an actual bookstore is exciting in itself.
By the time I was 10 or 12, I had discovered the lure of the romance genre - and the dusty copy of 'The Thorn Birds' on my parents' bookshelf.
Just as we were finishing 'Paul's Boutique' we got our own places, and I was going out to clubs a lot less. I got a bit more introverted and spent a lot more time on my own reading. I would just go down to the esoteric bookstore and wander around.
My parents didn't know much science; in fact, they didn't know science at all. But they could recognize a science book when they saw it, and they spent a lot of time at bookstores, combing the remainder tables for science books to buy for me. I had one of the biggest libraries of any kid in school, built on books that cost 50 cents or a dollar.
At one time in my career, Barnes and Noble bookstores categorized my books as religious fiction.
We think when God speaks to us, there's going to be a boom out of Heaven or we're going to get some chill bumps, but I really believe God's talking to us all the time. He's talking to us right in here. I call it our heart, our conscience, but it's the Holy Spirit talking to us.
