Simply put, broadband voice is an interstate matter that must be dealt with through clear national standards.
In college, I had a lot of friends who were writers and wanted to be writers and I felt intimidated by it. I just didn't know if I had any gift or voice and I had no confidence about it.
There is no earthly reason why a solo string instrument or voice, having the possibility to play or sing pure intonation, should want, or try, to be tempered.
You speak into it and everything is recorded, voice, tone, intonation, everything. You turn a little wheel, and forth it comes, and can be repeated ten thousand times. Only fancy what this suggests.
It was Stevie Nicks who made the biggest impression and really resonated with me. I found her intriguing and liked her voice. Her songs were kind of mysterious, and she was a woman in a rock band.
I find that I like what I like. I like a strong melody, I like an inventive structure and I have to like the singer's voice or I have no interest in it.
It's really important that young women be reminded that their involvement matters and that their voice is heard. Even if it feels like it's small, it really can make an impact.
Before 1994, many South Africans used theater as a voice of protest against the government. But with the end of apartheid, like the artists who watched the fall of the Iron Curtain in Europe, theater had to find new voices and search for new issues.
I don't think I sound like Janis Joplin. I'm a woman with a raspy voice.
In high school, I was always into Jerry Lee Lewis, and they decided they needed a piano player for the jazz band. I had my little boogie-woogie thing that I did, so I did my little boogie-woogie thing. I had a very high-pitched voice.
This is what really makes real jazz musicians: people coming out with their own voice.
Yeah, I record on voice memos. I got like 1,000-something memos. If I'm in the middle of something and I can't get it done, I'll jot it down, but I never write a rap out, ever.
I'm more concerned with getting them to find and strengthen their original voice as writers rather than imposing my own subjective tastes, judgements or sensibility on the project.
I'm a huge karaoke person even though I have the worst singing voice. When you love doing something, who cares?
I started doing comedy when I was a teenager with Tom Kenny, who is the voice of SpongeBob. I don't want to name drop, but, I've known him since I was 6.
I like to jump some rope and swing kettle bells to get my blood pumping. It makes my voice sound better, and it clears my head.
I remembered the times I'd second-guessed myself or questioned my own ability. The times when a little voice in my head worried that I didn't have the know-how or the experience to reach for an exciting opportunity.
My main influence is Kool G Rap and Cam'ron, pretty much. If you were to mix those two people up, I wish that would be me... This is my voice. I sound like nobody; I sound like me.
I want to create or be a platform for people who have been labelled as a victim. I'm not going to be their voice; that's their voice. I want to allow people to voice their life beyond labels.
Lacey said if he wanted to read a daily or regular critiques of the Bush administration, he would read the New York Times, and that's not what he wanted in the Village Voice.
