I recognise my old self in a lot of the letters I get from single women who are unrealistic about what they want.
Give me the new thing and give it to me now. I don't want that old thing - I've seen it, heard it, bought it, slept with it, loved it, but now I'm bored with the old thing and I'm gagging for the new stuff.
I'm not sure I want to preserve the old ways just for the sake of saying, 'I don't believe in change.'
We want to nurture startups on our platform, just like we did in the old world.
People hear traditional jazz and think it's stale, where there are so many ways it can be opened up. With New Orleans and old-time grooves, there's no limit in what can be done with that. I want to break the stereotype of what traditional jazz is.
The group of guys I came up with in the 1990s were very innovative. I remember some of the older guys were complaining about how the music had changed, and they were being left behind. I didn't want to be one of those guys who sat around and complained because they weren't growing and evolving.
I want to be recognised as exemplifying the Olympic spirit - one of the last true Olympians.
An Olympic gold medal is something that almost seems like a fantasy. Yes, of course I want it, since I was a little kid, before I even knew what the World Cup tour was.
I want to get another Olympic medal outside the team event.
It's interesting because diversity doesn't just happen by garnishing your omelet with a little bit of parsley. Diversity happens because the people that are telling the stories - the writers, directors, storytellers - want to tell their story.
General statements omit what we really want to know. Example: some horses run faster than others.
I want women on-screen that we all either want to be, or we know, or we recognize.
'Stree' is something fresh and new. Audiences want to see different kind of content on-screen, and 'Stree' is exactly that. It is a unique genre - horror-comedy - which has not been explored much in our country.
Age is not a factor when it comes to choosing the kind of roles you want to portray or the kind of clothes you wear for a role on-screen.
There's an image that some of us have of Jackie Onassis, stepping out in the rain, and Maurice Tempelsman is holding her umbrella. We want that man. We want the man to be the concierge and the masseur and the travel booker.
I don't know why women want any of the things men have when one of the things that women have is men.
I didn't want to be a one-hit wonder. I really wanted to make albums that had a different aesthetic every album and a different sound.
A lot of people, they want you to be a one-hit wonder.
I'm glad 'Honest' came out right after 'Karate Chop,' because I don't want to be seen as a one-hit wonder.
I want people to see that I'm not a one-hit wonder.
