There can be no more burying our heads in the sand by being afraid to even mention the words 'climate change' aloud.
I still can't spell anything, but I can bust out two-dollar words.
I think the reason that swearing is both so offensive and so attractive is that it is a way to push people's emotional buttons, and especially their negative emotional buttons. Because words soak up emotional connotations and are processed involuntarily by the listener, you can't will yourself not to treat the word in terms of what it means.
Anybody who has something sensible or worthwhile to say should be able to say it calmly and soberly, relying on the words themselves to convey his meaning, without resorting to yelling.
If you could taste words, most corporate websites, brochures, and sales materials would remind you of stale, soggy rice cakes: nearly calorie free, devoid of nutrition, and completely unsatisfying.
I start with the story, almost in the old campfire sense, and the story leads to both the characters, which actors should best be cast in this story, and the language. The choice of words, more than anything else, creates the feeling that the story gives off.
That's a lot of words about the weather, but in Canberra you can't help but be aware of the seasons, and there is something wonderful about that. Okay, so there's a distinct lack of beach, but aside from that, the place grows on you.
After a gig I always head back to the hotel, remembering granny's words of wisdom. I cancel the late-night pizza and watch the Jonathan Ross show instead.
George Clooney, who is a moron, came here to Cannes and gave a press conference saying, 'Under no circumstances will Trump ever be president. Hillary Clinton will be the next president.' Well, we can't wait to make George Clooney eat his words.
There will soon come an armed contest between capital and labor. They will oppose each other, not with words and arguments, but with shot and shell, gun-powder and cannon. The better classes are tired of the insane howling of the lower strata and they mean to stop them.
There are a lot of self-imposed restrictions by people who somehow believe they have to fall in with a certain military cant. There was always a sense that we had to put things into words that would touch our troops' hearts, not just their heads.
I have an admiration for Mr. Eastwood that borders on the kind that I have for the Grand Canyon. Like it, he is craggy, worn, awesomely impressive and unique, a living four-star tourist attraction that, in the formulaic words of the Guide Michelin, 'vaut le voyage.'
It is the single image, as used in a photograph or a painting - or the frame of a film - to which words have been added to enlarge the context. The method is not the same as that by which most paintings are named. It is closer in its performance to what dialogue does to a movie, to what the caption does to a good poster.
With Instagram, you're captioning a moment. Twitter is the caption without the image. Even if it's there, the words come first.
We are what our thoughts have made us; so take care about what you think. Words are secondary. Thoughts live; they travel far.
Repetition for no reason is a sign of carelessness or pretentiousness, but there are plenty of good reasons to repeat words and phrases.
Poets are seen as the caretakers of language, so working with words no matter what the form is what we do.
It is the children between five and seven who are the word-lovers. It is they who show a predisposition toward such study. Their undeveloped minds can not yet grasp a complete idea with distinctness. They do, however, understand words. And they may be entirely carried away by their ecstatic, their tireless interest in the parts of speech.
My first words were always about food - I grew up in northern California, and when I was 10 years old, I had my own pretzel cart business.
It is more raw and unfettered and I'm more likely going into something you could call extreme cartooning. There's a lot of that in the course of 'Holy Terror.' There are interludes where there are pictures - cartoon pictures - of modern figures and they are all wordless. It's up to readers to put the words in.