Sleep has been provided by nature to do the body's healing work, and it takes seven or eight hours for this process to happen. Commit to getting at least seven to eight hours of good quality sleep every night to keep your body and hormones in balance.
Well, all comedy starts with anger. You get angry, and its never for a good reason, right? You know its not a good reason. And then you try and work it from there.
I often say to people that producing is the best-paid form of cowardice. When you produce things, you almost always get credit if it's a good record, but you hardly ever get the blame if it's not! You don't really take responsibility for your work.
I didn't worry about it because I kind of felt I left a good message and memory with the people in terms of my work, and I always felt with a good record, I could always come back.
A lot of people felt I was getting work because I was Boy George. My response at the time was that there's a lot of DJs making records, they're not all making good records, but they have the right to do that.
It's funny - some producers ask me, 'Man, how do you work on a Bieber record? That would kill my career.' I can work on any record there is as long as they are good records and you're pushing things forward.
My career has always thrived on hard work and good relationships with people I work with and just continuing grinding.
As governor, I work in hand in hand with tribal leaders on everything from disaster response to economic development. Tribal governments are important partners to our state government, and I value the good relationships my administration has cultivated with them.
I have a very good reputation in the industry; my work speaks for me.
It's hard for me to find a script that's perfectly suited to me, so even if it's a good script, I'll still have to work on it with someone and shape it, making it the film that I want to make. So in that respect, I prefer to do the stuff that I've generated anyway.
I just want to work on good scripts.
I have tried to make decisions to work with great directors, with good scripts, and that makes the pickings real slim.
I don't work for production houses. I only work for good scripts and roles. If you follow my career graph, you will find that I have not given a single flop yet in my career. I am proud of it.
I know firsthand how much work has usually gone into a screenplay, so if there's something that rings false or a line that I would think would need a tweak or something, I will think long and hard before I even recommend changing it. In that sense, I'm very faithful to the scripts that I get - if they're good scripts.
Good scripts have always been, I think, hard to find. Good storytelling, good writing - it's just not easy. I have made it a point that - if I'm going to put the energy into doing this work - I will wait until I find something I'm really happy with.
I feel that I don't have to wait around for good scripts anymore, that I can get things moving more quickly. I can ring up directors I like and say I'm keen to work with them, which is pretty great.
For some reason, I have better luck when I work with women. I guess I have a good sense of sisterhood.
I really love training and being in good shape, and it's so much a part of my life now, so it never really feels like work to me.
I got a fantastic person to work me out and get me into really good shape.
I'm looking to find good stories, not big commercial pieces of work.
