I work with the Humane Society a lot and have three rescue cats.
I thought Mia Hansen-Love was a true auteur, and I always wanted to work with her. Mia's empathy for her characters and her ability to use the language of cinema to communicate real human depth is extraordinary. She's a humanist.
When you work as a humanitarian, you are conscious that politics have to be considered. Because if you really want to make an extreme change, then you have a responsibility.
There is a myth that those who do humanitarian work have a saviour mentality, but the relationship is reciprocal.
Any work that aspires, however humbly, to the condition of art should carry its justification in every line.
Those who write may think they know their target market. They may even feel they can shape the work to fit it. If this is true of you, you have more control over your creative process than I do. Even so, I humbly submit that you try letting your writing shape your target market instead and see what happens.
I really think me and my family live humbly. I've secured my life, and I won't have to open the newspaper and be looking for work.
Imagine a country that flies into space, launches Sputniks, creates such a defense system, and it can't resolve the problem of women's pantyhose. There's no toothpaste, no soap powder, not the basic necessities of life. It was incredible and humiliating to work in such a government.
When I come up with a melody in my head, it could be anywhere: in the shower, on the plane, in bed - often when I'm on the go. I'll record it on my phone with my own voice, humming. When I get to the studio, I check which melodies work.
I'm essentially a humorist and, I think, a pretty good one. I've known all along that 'My Friend Dahmer' is the one book I'll be most known for, and in a way, that's a drag, as it's nothing like the rest of the work I've done or will do moving forward. But the way I figure, it's better to have a best-known work than not to have one at all.
Tell me what you do with the food you eat, and I'll tell you who you are. Some turn their food into fat and manure, some into work and good humour, and others, I'm told, into God. So there must be three sorts of men.
It's natural canine behavior to chew on all sorts of things, roll in other animals' droppings, hump and fight other dogs, menace anything that invades the home. All these behaviors can be curbed, but that takes a lot of work. Trainers say it requires nearly 2,000 repetitions of a behavior for a dog to completely absorb it.
I'd love to stay in baseball, but I won't beg. I'd love to work with young umpires. I think I could teach them, help them develop. I can spot flaws, help them get over the hump. You're striving for perfection every game, yet you never achieve it. If baseball wants me, I'm available.
I love Hunch, the awesome team, my brilliant cofounders - we're doing great work and building a great company.
Work as if you were to live a hundred years. Pray as if you were to die tomorrow.
A work survives its readers; after a hundred or two hundred years, it is read by new readers who impose on it new modes of reading and interpretation. The work survives because of these interpretations, which are, in fact, resurrections: without them, there would be no work.
I have had hundreds of people work for me over the years, and I don't think I ever fired anybody.
My grandfather was an autoworker, and I have a weapon he manufactured to protect himself from the company that he would carry to work. It's a big iron pipe with a hunk of lead on the head. I think about how far we've come as companies from those days, where workers had to protect themselves from the company.
Finding the voice of a character, no matter who it is - from Black Widow to Han Solo - is the first and most important hurdle for me to cross in any work of fiction.
I'm so grateful for everything that's happened. I love my work. People have such hurdles - I just wanted to perform, and I wanted my parents to be proud, and they were proud.
