The United States has means to wound Latin American countries deeply, chiefly by altering trade policies to cut imports in ways that would throw thousands out of work.
People feel that they're being required to meet all sorts of regulations and rules and requirements in their areas of work and MPs are not imposing those sort of restrictions on themselves.
The conditions of suffering that exist today in our impoverished communities are not acceptable. The reflection of those conditions are less concerning to me. And I work everyday about changing the conditions.
It's impractical to assume people aren't going to eat out or eat late or even have pizza occasionally. And all that's fine as long as you work out, even just for 10 minutes a day.
I'm very much involved in art. I started buying art a few years ago and really like the work of T.C. Cannon, who is a native American artist. Then I was introduced to Soviet-era Russian impressionism and started collecting that, especially Gely Korzhev.
Thunder is good, thunder is impressive; but it is lightning that does the work.
I do my work and do the best I can. I'm quite happy with my anonymity. All I can ever hope for is that I continue to do great work that will be remembered, and I leave my imprint so that my son can say proudly, 'That's my dad!'
My holidays are generally impromptu, since a crazy work schedule is bound to eat into a long-planned trip.
We take off sometimes for impromptu vacations the moment Mahesh is free, and I join him even if I have work.
After college, I knew I wanted to work in comedy, so the first thing I did was go to where the comedy was. I moved from Charlottesville to Chicago, because that's where The Second City and Improv Olympics are. You have to go wherever you need to go to study what interests you.
I do try to keep my show very improvisational. I don't work off a set list; I like to keep it more in the moment. I like to have information about where I'm going, what might be happening in that particular region as well. I like for people to feel like the show is for them.
Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
You work very hard on the lyrics. Getting them to fit the contours of improvised melodies.
I have a tough time with stand-up because I am an improviser. I can riff; I can do crowd work, so I don't prepare.
As a stand-up, as a storyteller, as an improviser, I've done thousands of shows. They allow me to work out new material that might turn into something later. They let me keep my muscles sharp for when the rent-paying gigs do come along. They keep me sane.
The trouble with the jokes is that once they're written, I know how they're supposed to work, and all I can do is not hit them. I'm more comfortable improvising. If I have just two or three ideas and I know how the character feels, what the character wants, everything in between is like trapeze work.
When you're writing, you're putting thought into what you want to express, and then you come up with it - it comes to you. When you're improvising, it's the same thing. You're writing. You just say it out loud right then, instead of saying, 'You think this might work?'
When I'm on stage, it's a little world I've created where I'm sort of the thing, so I have total control over everything that happens. When we're improvising, I'm with someone I totally trust. I know things are going to work out. I don't have those guarantees in life. There are no consequences on stage.
I believe that things are always going to work out, even if in the beginning it doesn't look like they are working out. I know in the long run they are going to work out, and it's going to be fine.
Dani's family are great, and I'm really lucky to have them as in-laws. But it's definitely not all plain sailing. They are such big characters who aren't scared to speak their mind, and we have different points of view at times, so we have to work through that.