If you put the collections together, whether it's Rick Owens, Alexander Wang, or whomever, sometimes they do streetwear, but they're never called that. They're always called 'sportswear' or 'high-end' or 'luxury.' I feel like I'm tossed into that streetwear category so that I don't exist in this space.
Someone could be amazing at what they do, but if you don't like them, why bother hiring them?
My philosophy is, unless you're sick and need help, why bother?
Dressing up used to be more of a thing. My dad wore a suit always. Now you think, why bother?
Actually I like working kind of fast, because if you got it, why bother doing it over and over?
When something's painful, you just avoid it. Why bother dredging up the past if it's nothing but bad stuff?
Before you take your address, while you're still reading the putt, imagine the ball tracking on the line you've chosen and falling into the cup. If you don't believe you can make every putt, why bother trying?
Instead of worrying about what people say of you, why not spend time trying to accomplish something they will admire.
But if you read Jane Austen, you know that she had a wicked sense of humor. Not only was she funny, but her early writing was very dark and had a gothic tone to it.
I can get a call at 2 A.M., and the person on the other end is like: 'Sorry, did I wake you?' and I'm like: 'No, I'm wide awake.'
Every job in a company is important. Unless you experience a wide range of those jobs, I don't think you are as well prepared to start and run a company as you could be.
You do not need to be within the single market to be able to export to the European Union, as we see from the wide range of goods on our shelves every day.
You make America great by making America available to a wide variety of people.
There's nothing I miss about anything in the whole wide world. The idea of missing something means you're not living in the moment. Every moment is good for something.
When I played Robert Howard in 'The Whole Wide World', I was struggling with it. There's this dual thing where you feel real good about being able to play this juicy part, and then there's constant shame: 'Who am I to pretend to know who this guy was? Who am I to represent this guy for people who never knew him?'
I'll admit, sometimes I've paid the bills with acting. You know the phrase, 'It's one for the money, two for the showreel.' I don't want that as a director. I don't want to compromise myself. There's a big old wide world out there. I want to explore it.
About 1998, when 'Wide World of Sports' and the 'Footy Show' came to an end for me, I couldn't type. When I started architecture, it was a very aesthetic, creative, an almost art process, where lettering and thick line were how you expressed yourself on the paper.
The conversation of how you do a play is my favorite conversation in the whole wide world: what a play is, why it's different than anything else, the math of the way that human behavior has to be calibrated theatrically versus anything else.
When you go out of your country and meet people, you get a wider perspective.
TV is still a 'push' medium - we are broadcasting into any home or business with basic cable, and depending on what's happening in the world, we have a wider audience, from news junkies to very sporadic viewers. On TV, you want your reporting to be valuable to that entire audience and be relevant.
