If you want to be an artist in the long run, it isn't necessarily a good axiom to repeat formulas over and over until they're used up.
There's an axiom I live by: 'There is no art without politics.' You either choose to engage it, or you choose political apathy. This ties in with ideas around real-time performance and feedback.
Even more than getting married or having kids, I found losing a parent is what thrusts you into adulthood. For me it was. That was when the Earth tilted on its axis, and there was a paradigm shift, and I felt like a different person.
If you think about work, it's just this endlessly fascinating subject. We spend at least half of our waking hours working. So it becomes this incredible window into a whole variety of things: who we are human beings, how the economy works, how people relate to each other, how stuff is made, how the world spins on its axis.
I was a semiotics major at Brown, and there's this idea that stories are better, books are better, and movies are better if they cocked you off your axis and you were completely disoriented and you'd really have to rethink everything. Nobody has that experience, actually.
Because we were orbiting the earth faster than earth spins on its axis, we went around the earth 16 times a day, an earth day, which meant 16 periods of lightness and 16 periods of darkness in 24 hours. Every so often you'd look towards the earth, and often you could see lightness and darkness together, and dawn and sunset were spectacular.
My first gig ever was writing looplines for a movie that had already been made. You know, writing lines over somebody's back to explain something, to help make a connection, to add a joke, or to just add babble because the people are in frame and should be saying something.
Never believe that true prayer consists in mere babbling, reciting so many psalms and vigils, saying your beads while you allow your thoughts to roam.
Too bad integration didn't come sooner, because there were so many ballplayers that could have made the major leagues. That's why, you look back, and - not to take away anything from Babe Ruth or some of those other guys - they didn't play against the greatest ballplayers in the world.
They said you'd really have to be something to be like Babe Ruth. But Babe Ruth was an American player. What we needed was a Puerto Rican player they could say that about, someone to look up to and try to equal.
Can you imagine if Babe Ruth had had Twitter?
From the first album, Led Zeppelin was always going to be a totally new approach from what had gone before - whether it was approaching the blues or folk music like 'Babe I'm Gonna Leave You': nothing existed like that.
When he would give you direction, it was not sitting in a chair saying, 'Hey, babe! Do this and that and the other thing.' Mr. Sirk would ask, 'May I speak with you?' and sit down and say, 'I think this should be done this way. And how do you feel about it? Do you feel it that way?'
I look like that in the morning: my hair's all greasy - it's not, 'Hey, look at the babe of the band!' I hate that kind of thing, the way women are always pushed forward as beauties... it's very easy: you can make the ugliest pig look lovely in a photograph.
You don't have to know anything about baseball to respond to Babe Ruth because he's just this magnificent human being. And a really good story because he was this kid who grew up essentially as an orphan, you know, had a tough life, and then he became the most successful baseball player ever. But he was also a really good guy.
Don't try to tell Namath's people on First Avenue about Babe Ruth, because they don't even know the name. In fact, with the young, you can forget all of baseball. The sport is gone. But if you ever have seen Ruth, and then you see Namath, you know there is very little difference.
I did not choose necessarily on the basis of significance. If you have a vote for the most significant athlete, then you have Ali, then you have Babe Ruth, then you have Michael Jordan.
I never want to lose. I hate to lose... But Babe Ruth struck out 1,300 times. You can't hit the home run every time you come up to bat.
We never could have foreseen the success of 'Babel.' It's not like banjo records were soaring up the charts, you know.
Tom Selleck brings in the babes of all ages, I have to tell you. You can be 60, 80, or 16 and still love that man.