There is not some secret formula, it comes down to completing passes, being efficient on first and second down and making plays when the ball is in your hands.
You have to develop your whole game to completion.
I have my dark side. You have your dark side. From the second that we have a brain, there are things that are not right - we are human beings with all these illusions and complexes and everything. That's attractive to me.
Getting the blood moving through your body does do wonders for your complexion.
If you are a DACA that's compliant with your registration, meaning you haven't committed a crime, you, in fact, are registered, you're not priority of enforcement for ICE should the program end.
You have to stay fresh and blank in your mind when you go out to bat. You complicate things, and you're gone.
I always tell my students to complicate your characters: never make it easy for the reader. Nobody is ever one thing. That's what makes characters compelling.
Silence is complicity. Speak now or surrender your ground.
People don't usually compliment your character.
The dullest thing in the world is waiting for your scene. But the most exciting thing is seeing yourself on the screen and then getting compliments.
Let your soul stand cool and composed before a million universes.
In composing, as a general rule, run your pen through every other word you have written; you have no idea what vigor it will give your style.
You might lose your spontaneity and, instead of composing first-rate Gershwin, end up with second rate Ravel.
Always keep your composure. You can't score from the penalty box; and to win, you have to score.
Always maintain your composure.
When your private life has been dragged into public space, you tend to attain a zen-like composure.
If you're driving home and your kids are playing up in the back seat, I'm pretty sure that's taxing. You're trying to hold your composure, you're trying not to shout at them.
Cry if you have a compound fracture, by all means. Or if your grandpa died. But otherwise, save it for your pillow.
When I started acting, it was like a double identity crisis - your basic crisis, compounded by people saying, 'there goes Robards' kid, Bacall's kid.' Now I realize, sure, that gets your foot in the door, but once it's there, it's your foot. I'm not bothered anymore. I'm confident of my abilities.
Let your Discourse with Men of Business be Short and Comprehensive.
