'Bum's Rush' is a piece about timing, and everything that's in the piece needs to be with the piece. If people are missing, or marking, or unable to use their voices, the impulses that prompt the action are lost, and its logic crumbles.
I'm obviously always interested in the dancer who's an athlete and vice versa. I expect dancers to be in condition like an athlete is and to challenge themselves in the same way, to the same physical degree.
In the not-for-profit world, there can be wastefulness because there's not the desperate urgency of when you're on a clock.
In dreams, anything can be anything, and everybody can do. We can fly, we can turn upside down, we can transform into anything.
Let me put it this way: I would like to direct a successful film. An unsuccessful film I would not like to direct. Films are very difficult.
Things change all the time, so why do people make such a philosophical to-do that things are constantly in transition?