I work very fast and steadily, and I don't hardly ever notice that I'm working. It feels like just breathing or walking when I do films.
I think psychology and self-reflection is one of the major catastrophes of the twentieth century.
I prefer to be alive, so I'm cautious about taking risks.
I think the worst that can happen in filmmaking is if you're working with a storyboard. That kills all intuition, all fantasy, all creativity.
I don't spend sleepless nights over getting very bad reviews.
Film should be looked at straight on; it is not the art of scholars but of illiterates.
