Producers have a tendency to put you in a pigeonhole: 'What does this white, middle-aged preppy know about 1960s Kingston?'
What I find remarkable is that so much of the 18th century literature that I read is more accessible than reading your alternative weekly from ten years ago. People really aspired to write clearly.
I've learned that I really want to shoot short films on a short schedule. There can be very good films that run 110 minutes, but 90 minutes is beautiful.
I learned that you have to say that you're a filmmaker. You're not a screenwriter; you're not a director for hire. You've got to take charge. You're a filmmaker, and you're going to make a film.
The dull externals of the screenwriter's working life are well known: We are the people taking up too much table space at cafes.
I like things that are sort of comic and humorous rather than satirical.
