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I set my own personal goals; I'm not playing to satisfy fans.

(You do not have to be shamed in my closeness. Family are the people who must never make you feel ashamed.) (You are wrong. Family are the people who must make you feel ashamed when you are deserving of shame.) (And you are deserving of shame?) (I am. I am trying to tell you.) 'We were stupid,' he said, 'because we believed in things.' 'Why is this stupid?' 'Because there are not things to believe in.' (Love?) (There is no love. Only the end of love.) (Goodness?) (Do not be a fool.) (God?) (If God exists, He is not to be believed in.)

Most filmmakers' entire body of knowledge is of other movies. When they describe things, they describe them in relation to other movies. That's why we have so many cyclical movies that look like other movies. But I'm not cynical. I even go to some of those movies.

Time wasn't passing so much as kneeling beside him in a torn tee-shirt disclosing the rodent-nosed tits of a man who disdains the care of his once-comely bod.

There were a whole lot, I bought every blues record I could find, it wasn't just one or two people. My vocal influences were Ray Charles and Bobby Blue Bland.

'Star Wars' is my favorite movie series ever. I like the old ones better than the new ones, but I like all of them.

The things that I draw on, and the world that I feel part of, aren't particularly youth culture.

I write about what hoaxers do, but I also want us to think about what believers do. Why do we want to believe a story like James Frey's 'A Million Little Pieces?' Why did we want to believe that Lance Armstrong really did all these things that, looking back, seemed impossible?

I'm driven by the gaps, the things that are missing, the areas where marginalized people exist - and where the least resources are available for them.

Even if you look at the 'Paranormal Activity' movies, at the end of the movie things get really crazy and nutty, but they all start in a very mundane situation that people can relate to, and that's also to some degree what we tried to do in 'Chernobyl Diaries.'

I ought to have Mike's Pirate School. The freshmen, all they get is the bandanna. When you're a senior, you get the sword and skull and crossbones. For homework, we'll work pirate maneuvers and stuff like that.

Don't get me wrong: school is good and all, but school is way too slow for me. Like, super slow. So I didn't want to go. I wanted to learn on my own with real life experiences.

I'm a hopeless romantic. I love love. My middle name is Love. Valentine's Day is my favorite holiday. I want to have a family and children. I am a sucker for every romantic comedy that comes out.

The delta blues is a low-down, dirty shame blues. It's a sad, big wide sound, something to make you think about people who are dead or the women who left you.

I never understood why when you died, you didn't just vanish, everything could just keep going on the way it was only you just wouldn't be there. I always thought I'd like my own tombstone to be blank. No epitaph, and no name. Well, actually, I'd like it to say 'figment.'

What makes a good pinch hitter? I wish the hell I knew.

We get first-rate faculty members from the leading engineering and science institutes to train our people.

Spirituality can go hand-in-hand with ruthless single-mindedness when the individual is convinced his cause is just

Well, it's a badge of honour for any self-respecting poet to be criticized by Auberon Waugh. But in a lot of ways my poems are very conventional, and it's no big deal for me to write a poem in either free verse or strict form; modern poets can, and do, do both.

We look to our leaders once we elect them to either lead us in the right direction or at least not crush us.