When we were shooting in Shreveport, me and a couple of friends went down to Lafayette, because they had a big Zydeco music festival down there. We spent two days dancing to Zydeco music, eating fried alligator... It was one of the craziest festivals I've ever been to in my life, but I loved it.
The last book I read was Noam Chomsky on anarchism; maybe I will become an anarchist.
I've always been interested in those Orwellian dystopian novels, like 'Fahrenheit 451,' 'Brave New World,' and obviously Orwell's '1984.'
People don't know much about what's going on on the ground in Iraq: what you see in the media is heavily censored.
I wasn't like a Hollywood child actor - 'I'm five! I can sing, I can dance, I can act! I wanna be a star!'
Swedes are such a civilised, perfect society - at least on the surface. There's a great safety net, a huge middle class, free education, free health care. People are very polite, they wait their turn. They're not too loud, they're not too quiet, but sometimes it's a little too perfect.
The system in Sweden is great because you get free healthcare and free education; someone who doesn't have a lot of money can become a doctor or lawyer. There's good paternity and maternity leave - the U.S. is probably the only civilised country in the world that doesn't give parents anything.
I spent two months in Fredericksburg, Texas, when I was 8, while my father shot a movie, and I loved it. I just embraced the whole cowboy culture. I got myself a pair of awesome boots and a cowboy hat.
You can never connect on a deeper level if you idolise someone - you don't see the real person.
I'm not saying everything in Sweden is perfect, because it's not. But it is interesting having grown up in a social democratic country such as Sweden and then watching what's going on in the U.S. and the income disparity.
It was always chaos with Mom, Dad, uncles, you know; we all lived in the same building. Dinner parties with 25 people every night.
I don't really have a three-year plan or a five-year plan. I don't know what's next, and that's what I find quite exciting. I dig it.
I've been a member of Greenpeace since I was a teenager.
I've always freelanced as an actor, and you always have to worry about the next paycheck. When I booked 'True Blood,' I promised myself I would take advantage of the fact that for the first time in my career, I could afford to turn down big money to go and do small, character-driven indies.
I saw 'Tootsie' with Jessica Lange when I was eight or nine. I remember feeling something in my stomach. I didn't know what it was, but I wanted to watch that movie over and over again.
All the characters I play are all inside of me in a way, and they're all different, the darkness, the lightness, whatever that is.
As an actor, what's interesting is what's hidden away beneath the surface. You want to be like a duck on a pond - very calm on the surface but paddling away like crazy underneath.
When you're in the public eye, we all feel like we're constantly observed, so we don't let things out. Anger, sadness, happiness - when does that come out? Maybe when you're in traffic, because you're in the safety of your little metallic bubble.
When I was four or five, I would organise my cars and my action figures. I needed some kind of structure, I think.
I grew up in a very urban, bohemian family where everyone was a hippie or a pacifist. It was artistically and intellectually stimulating, but they were definitely not into outdoor sports or activities.
