Men expect too much, do too little.
Dramatic experience is not logical; it may be subdued to the kind of coherence that we indicate when we speak, in criticism, of form.
How does one happen to write a poem: where does it come from? That is the question asked by the psychologists or the geneticists of poetry.
Narcissism and the Confederate dead cannot be connected logically, or even historically; even were the connection an historical fact, they would not stand connected as art, for no one experiences raw history.
According to its doctors, my one intransigent desire is to have been a Confederate general, and because I could not or would not become anything else, I set up for poet and beg an to invent fictions about the personal ambitions that my society has no use for.
So the poet, who wants to be something that he cannot be, and is a failure in plain life, makes up fictitious versions of his predicament that are interesting even to other persons because nobody is a perfect automobile salesman.
We know the particular poem, not what it says that we can restate.
A poem may be an instance of morality, of social conditions, of psychological history; it may instance all its qualities, but never one of them alone, nor any two or three; never less than all.
Religion is the sole technique for the validating of values.
