It’s always about timing. If it’s too soon, no one understands. If it’s too late, everyone’s forgotten.
Create your own style… let it be unique for yourself and yet identifiable for others.
I wasn't academically successful. And maybe I've spent a lot of my career trying to make up for that.
To be famous these days with no grounding and no substance is not especially difficult. I urge you instead to seek to be relevant, to be agile and educated.
For my very first September issue, I put Naomi Campbell on the cover. She was wearing this orange Anne Klein sequin suit - it would probably look incredibly '80s today.
I hear the same anxieties over and over again. Everything is too fast; everything is too precarious. We have more access than ever to the people we are trying to reach, thanks to social media and mobile technology, and more information than we know what to do with.
Part of the pleasure of editing 'Vogue,' one that lies in a long tradition of this magazine, is being able to feature those who define the culture at any given moment, who stir things up, whose presence in the world shapes the way it looks and influences the way we see it.
Print publications have to be as luxurious an experience as possible. You have to feel it coming off the page. You have to see photographs and pieces that you couldn't possibly see anywhere else.
The notion that a contemporary woman must look mannish in order to be taken seriously as a seeker of power is frankly dismaying. This is America, not Saudi Arabia.
My career got off to a very shaky start when I dropped out of school at the age of 18. Despite my lack of academic credentials, I got a job as a fashion assistant at 'Harper's & Queen.'
I like having young assistants in my office; they have energy, and I spend time with them to make sure they understand what we're doing. By investing in them, I'm investing in the magazine. All over 'Vogue,' 'Teen Vogue,' and 'Men's Vogue,' there are people who have been through not only my office but also many other offices at 'Vogue.'
Traditionally, those that work in fashion have always had the point of view that items made by hand have their own aura and are something special.
I think Beyonce is every woman. She's superwoman, she's an extraordinary business woman, she's a force of fashion. She totally understands the way to communicate to millions and millions of fans.
If my style is too direct for some, maybe they should toughen up a bit.
I'd always been extremely fascinated by the French Nuit Blanche, which is a weekend that they have in Paris where they keep all the museums open until dawn. You can go and hang out in Versailles in the middle of the night and watch the sun come up.
'Vogue' and 'Vice' may appear to some to see the world through different lenses. But in my view, both are fearless and breathtaking, with unquenchable curiosity and vigor.
I think everyone in the United States has such admiration for the British royal family, and with the Duke and Duchess of Cambridge, there's a whole new interest in the younger generation.
I'm horribly hands-on, I'm afraid. I like to read every caption.
I am very lucky in my team. They sit opposite me, and I get to see them every day sitting there staring at the seating chart, not doing much. It is almost like a chess game.
It's important for young women and men coming out of the fashion schools to think seriously before starting their own collections.
