When you're a writer, you no longer see things with the freshness of the normal person. There are always two figures that work inside you, and if you are at all intelligent you realize that you have lost something. But I think there has always been this dichotomy in a real writer. He wants to be terribly human, and he responds emotionally, but at the same time there's this cold observer who cannot cry.
Don't you know that love isn't just going to bed? Love isn't an act, it's a whole life. It's staying with her now because she needs you; it's knowing you and she will still care about each other when sex and daydreams, fights and futures -- when all that's on the shelf and done with. Love -- why, I'll tell you what love is: it's you at seventy-five and her at seventy-one, each of you listening for the other's step in the next room, each afraid that a sudden silence, a sudden cry, could mean a lifetime's talk is over.
As always on this boulevard, the faces were young, coming annually in an endless migration from every country, every continent, to alight here once in the long journey of their lives.
If misery loves company, then triumph demands an audience.
