I probably dreamt about running off to America or something when I was 16 because it just seemed like I was studying algebra and going, 'What am I going to use this for?'
I am committed to helping Alzheimer's Society in any way I can. My family and I rely on the help of organisations like Alzheimer's Society to help us understand the disease and guide us in the care of my grandmother. It's been a privilege to meet so many people with dementia.
The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing.
I want to be in 'Glee', but I'm told I'm not famous enough to be a cameo yet.
Those with dementia are still people and they still have stories and they still have character and they're all individuals and they're all unique. And they just need to be interacted with on a human level.
People get married when they're 18 and spend their whole lives together. I think their greatest fear is that someone will see it as a fling because they were young and it didn't mean anything.
I'm more the sort of person who doesn't like hugging strangers because we don't know each other, so we shouldn't.
Sometimes it's so weird just to do an interview. This morning I was back in my parents' house, with my brother, and we went for a jog together, then had breakfast as a family. And a couple of hours later I'm wearing high heels and a dress and makeup, and talking about my job.
My character in 'Shame' is an outrageous person. Loud and uncompromising and I begged Steve McQueen to give me the job.
I never get recognised here in London, which I like. Once a year, someone comes up to me and asks if I am 'so-and-so's niece' because they think they recognise me from somewhere. I like that.
I have always hated nightclubs, and don't like loud music.
It doesn't matter what you feel - ultimately, it's what the audience feels. You can finish a scene and think to yourself, 'Oh, God. I was so deep in that moment,' and find it just didn't play. I don't know if I have very good radar about that or not.
In London, people can be so... well, it's not even a case of people being unkind or unfriendly. You just don't make any contact in London. You go from A to B with your eyes on the pavement.
Posing on the red carpet feels like you're selling something that has nothing to do with you. If you do it with someone else, it's like we're saying, 'Oh! We come as a pair! Would you like to buy both of us? We're available for weddings and Bar Mitzvahs!'
I remember in 'Pride and Prejudice' I had to do a scene where I broke down. And before we filmed I spent like three hours imagining my mum's funeral. Actually, she's very much alive, happy and healthy. It was really horrible.
The minute I get into a hotel room, I scatter my stuff everywhere. It's like a bomb site within a minute. So I suppose that means I'm trying to nest.
We had a tiny budget for 'The Greatest,' which was the opposite of 'Wall Street.' We just kind of went in and did it. You've got four or five takes and then you've got to move on. We didn't even have trailers to stay in or anything.
