The adage that you're either gay or straight or you're lying, well, that's not true. Bisexuality does exist.
I would say, from an all-around point of view, Bruce Springsteen is one of the two great poet lords of America, Bob Dylan, coming out of the music world, the two of them.
My years with Aretha Franklin have been very special, as were the years making records with Dionne Warwick. Other highlights include working with Janis Joplin, who was the first artist I ever signed, as well as Patti Smith and Alicia Keys.
My introduction of Whitney was that if there's going to be one performer for the next generation who combined the beauty and lyric phrasing of a Lena Horne with those Gospel fiery roots of an Aretha Franklin, it would be Whitney Houston.
I have total respect for the self-contained rock artist. Whether you're dealing with Jerry Garcia or Lou Reed or Patti Smith or a Whitney or an Aretha, they know what they want with their career.
The subject of bisexuality really needs much more discussion. It's a status that does exist.
I never paid attention when the LP became the cassette and the cassette became the CD and now we're dealing, you know, with MP3s. It's okay.
I feel that contemporary music, with very few exceptions, is missing the voice. You see an award show, you see a hundred extras on set dancing and special effects, and you don't see that solo voice that was the trademark of Adele. It's no accident that it was her album that ended up selling 27 million copies worldwide.
The music began, and it was one of those life-changing moments. I saw an artist, Janis Joplin. She was exhilarating. She was vibrating. And she was like no other artist that I had ever seen before... It struck me that hard. Maybe the word is epiphany, when you get that special sensation.
I feel blessed that I found not just a profession, but a 24/7 way of life that I purely love. That curiosity to be current, to listen to the Hozier album, to be early in recognition of a Lorde and spending time with her and Miguel, the pleasure of seeing new talent erupt... I love it.
You see the genius that Whitney Houston has as an interpreter of material, and you realize why genius can be applied to only a few interpretive performers. She finds meaning and depth and soulfulness in a song that often the writer and composer never really knew was there.
I'm the keeper of the flame for Whitney Houston. She was the greatest... and I don't want the world to forget that.
It's not for me to determine what a country artist has in common with a hip-hop artist. You go for those with long-lasting careers. And that's what I've had as my target all my life.
I had no idea that I was ever getting into music. I did not prepare for a music career, and here I've found, out of pure luck, that I did have, not only a talent and an ear, but a passion for music. And I have it to this day.
You don't have favorites among your offspring, and you don't among the artists you're involved with, but clearly among my most favorite was Patti Smith.
I'm not into one-hit wonders.
In this age when people expect to get their music for free, we have to work out how we can protect the rights of creative artists so they are compensated fairly and that the record business itself remains sound and healthy.
My 'act' was schoolwork. I was your basic, garden-variety, ambitious, upwardly mobile, hard-working Jewish boy from Brooklyn. I was bound to go beyond my parents. It was simply the way things were.
The story of Rod Stewart, the story of Carlos Santana is so inspiring to young musicians because it shows in this trendy business how long a career can last. It shows how you can soar back, regardless of age.
Watching artists like Joplin perform, I felt that tingle down my spine; I experienced the wonders of a cultural and musical revolution.
