"Dorianne Laux"の名言

Who you are contributes to your poetry in a number of important ways, but you shouldn't identify with your poems so closely that when they are cut, you're the one that bleeds.

We aren't suggesting that mental instability or unhappiness makes one a better poet, or a poet at all; and contrary to the romantic notion of the artist suffering for his or her work, we think these writers achieved brilliance in spite of their suffering, not because of it.

Poetry is an intimate act. It's about bringing forth something that's inside you--whether it is a memory, a philosophical idea, a deep love for another person or for the world, or an apprehension of the spiritual. It's about making something, in language, which can be transmitted to others--not as information, or polemic, but as irreducible art.

Every good poem asks a question, and every good poet asks every question.

Every poem I write falls short in some important way. But I go on trying to write the one that won’t.

Death comes to me again, a girl in a cotton slip, barefoot, giggling. It’s not so terrible she tells me, not like you think, all darkness and silence. There are windchimes and the smell of lemons, some days it rains, but more often the air is dry and sweet. I sit beneath the staircase built from hair and bone and listen to the voices of the living. I like it, she says, shaking the dust from her hair, especially when they fight, and when they sing.

Good writing works from a simple premise: your experience is not yours alone, but in some sense a metaphor for everyone's.

Writing and reading are the only ways to find your voice. It won't magically burst forth in your poems the next time you sit down to write, or the next; but little by little, as you become aware of more choices and begin to make them -- consciously and unconsciously -- your style will develop.

Maybe it's what we don't say/that saves us.

Possible, unthinkable, the cricket’s tiny back as I lie on the lawn in the dark, my heart a blue cup fallen from someone’s hands.