"George Saunders"の名言

Don't be afraid to be confused. Try to remain permanently confused. Anything is possible. Stay open, forever, so open it hurts, and then open up some more, until the day you die, world without end, amen.

Humor is what happens when we're told the truth quicker and more directly than we're used to.

I have a sense that God is unfair and preferentially punishes his weak, his dumb, his fat, his lazy. I believe he takes more pleasure in his perfect creatures, and cheers them on like a brainless dad as they run roughshod over the rest of us. He gives us a need for love, and no way to get any. He gives us a desire to be liked, and personal attributes that make us utterly unlikable. Having placed his flawed and needy children in a world of exacting specifications, he deducts the difference between what we have and what we need from our hearts and our self-esteem and our mental health.

In art, and maybe just in general, the idea is to be able to be really comfortable with contradictory ideas. In other words, wisdom might be, seem to be, two contradictory ideas both expressed at their highest level and just let to sit in the same cage sort of, vibrating. So, I think as a writer, I'm really never sure of what I really believe.

It was that impossible thing: happiness that does not wilt to reveal the thin shoots of some new desire rising from within it.

I’m not a bad guy. If only I could stop hoping. If only I could say to my heart: Give up. Be alone forever. There’s always opera. There’s angel-food cake and neighborhood children caroling, and the look of autumn leaves on a wet roof. But no. My heart’s some kind of idiotic fishing bobber.

The generalizing writer is like the passionate drunk, stumbling into your house mumbling: I know I'm not being clear, exactly, but don't you kind of feel what I'm feeling?

By Fate, by Destiny, said the Vermonter. By the fact that time runs in only one direction, and we are borne along by it, influenced precisely as we are, to do just the things that we do, the bass lisper said.

I think fiction at its best can serve as a moment of induced bafflement that calls into question our usual relation to things and reminds us that our minds, as nice as they are, aren’t necessarily up to the task of living, and shouldn’t get cocky.

More and more, I have no idea what I think of anything. It’s as if the world were this very strange beast under a big tarp. Writing is a way of poking at the tarp. You can watch what the beast does during the poking and maybe surmise something about the sort of beast it is, but you also don’t want to be too confident in your theories. I really like the fact that, these days, I can’t say what writing is for, what it’s supposed to do, or how it’s supposed to affect us. I just like doing it.

The realization that failure was possible, even for me, had the effect of increasing my empathy. If life could be this harsh/grueling/boring for someone who'd had all the advantages, what must it be like for someone who hadn't? A thread of connection went out between me and everyone else. They, too, wanted to be happy. They, too, wanted to succeed. Maybe they had people they loved at home. They, too, were doing some weird uninteresting job in order to ensure the security and happiness of those beloved people of theirs, and yet...

I think fiction isn't so good at being for or against things in general - the rhetorical argument a short story can make is only actualized by the accretion of particular details, and the specificity of these details renders whatever conclusions the story reaches invalid for wider application.

You don't want to be that parent - the one who dresses his kid in a cloth sack when all the other kids are in Armani cloth sacks - especially in a time like ours, when materialism is not only rampant and ascendant but is fast becoming the only game in town.

I was a straight arrow, a control freak. I didn't do drugs or drink, and this was the '70s. I didn't like the loss of control. Which isn't exactly right, because I didn't know what happened when you did drugs.

When something really bad is going on in a culture, the average guy doesn't see it. He can't. He's average and is surrounded by and immersed in the cant and discourse of the status quo.

I'm always aware of writing around things I can't do, and I've come to think that that's actually what 'style' is - an avoidance of your deficiencies.

I was a big and un-ironic fan of Dear Abby when I was a kid in Chicago. I think I sort of internalized her. So I have this inner Abby: cranky, proper, folksy yet scathing, with a beehive hairdo. But that's my issue.

The best thing that ever happened to me is that nothing happened in writing. I ended up working for engineering companies, and that's where I found my material, in the everyday struggle between capitalism and grace. Being broke and tired, you don't come home your best self.

When I was a kid, I took 'The Brady Bunch' and 'The Partridge Family' very seriously. It was a world to me in the same way that the Greek myths would have been had I read them. You know, Marcia is Athena and Mr. Brady is Zeus.

I started out in engineering. I was a geophysical engineer. Throughout the course of my life I've done a lot of strange jobs, and the effect has been to make me think a little more skeptically about our capitalist society.