In Braille you write your flat sign first and then your note.
The way it works: The orchestra plays a few selections of its own and I terminate the first part of the programme on piano, usually with a movement from a Mozart concerto.
I don't think you can contrive any sound.
When Hank Jones had his night off, I would get somebody to take my place as intermission pianist and I'd play the show with Ella, so I would get a chance to play with Ray Brown and Charlie Smith as well.
Teddy Wilson, I think, said a little while ago that it's much easier to come in and play whatever comes into your mind, without obeying any of the laws of bass line and harmony and so on.
Perfect retention. I don't think I could do that-I've never disciplined myself to do it. I suppose a lot of it is a question of discipline. Which improvisation is not.
I haven't written an awful lot recently, but I think I probably will start again very shortly. Being so much on the road, when you have a couple of weeks off, you're likely to avoid sitting at the piano, and taping, and giving yourself more work to do.
I was born in London in 1919. I first went to America in 1946 for a three-month holiday. Then I came back, worked here for almost a year sold up my home and went back on immigration in 1947.
