"Ilan Stavans"の名言

'Hispanic' is a reference to Hispania, the name by which Spain was known in the Roman period, and there has always been strong ambivalence toward Spain in its former colonies.

In 2009, I edited, under the aegis of the Library of America, an anthology called 'Becoming Americans: Immigrants Tell Their Stories from Jamestown to Today.' It featured immigrants from different backgrounds, from black slaves like Phillis Wheatley to Yiddish-language speakers like Henry Roth.

Cervantes married in 1584, when he was thirty-seven and Catalina was nineteen. The marriage lasted thirty years, but Cervantes may have spent only about half of them with his wife.

I have always considered it a beautiful metaphor that Cervantes had no fixed address in Spain. He is thus everywhere and nowhere. There are a number of sites connected with his life, but none attract hordes of travellers the way Stratford-upon-Avon and the Globe Theatre in London draw Shakespeare aficionados.

Disinterring famous people has become a kind of sport in the Hispanic world. Before Cervantes, it happened to Evita, Che Guevara, Federico Garcia Lorca, and Pablo Neruda.

The running joke about the Premio Cervantes, the most coveted literary prize in the Spanish-speaking world, which was established by Spain's Ministry of Culture in 1976, is that Cervantes himself wouldn't have received it. This is because he was, in his heart, the most anti-Spanish of Spanish writers.

How many different works of art have been inspired by 'Don Quixote?' Thousands. Most people enter the novel, for better or worse, through the musical the 'Man Of La Mancha.'

'Don Quixote' is a very political book that has been used by diplomats, politicians, guerrilla fighters, to inspire people, to convince them that they themselves can become quixotic. George Washington had a copy of the book on his desk when signing the U.S. Constitution.

I am an immigrant from Mexico. I came to the United States looking for a landscape where I could explore ideas freely and to test my entrepreneurial spirit.

The mandate we have as Jews is for the story of the Exodus from Egypt to be retold every generation.

At its core, the United States is grateful, warm-hearted, full of unexpected twists and turns - not a cold and bullying prison - it's a place of infinite jest.

If a writer doesn't do anything but give a new word to his language and, from there, maybe to other languages, I think that writer redefines the world.

Yiddish, originally, in Eastern Europe was considered the language of children, of the illiterate, of women. And 500 years later, by the 19th century, by the 18th century, writers realized that, in order to communicate with the masses, they could no longer write in Hebrew. They needed to write in Yiddish, the language of the population.