The digital component is enormous in not only wrestling but all of entertainment. Every day, you read a new blog or article on Netflix, Hulu, this program and that program. It's where everything is heading.
During intermission, we reward the loudest, rowdiest fans with backstage passes, so we have a meet-and-greet, and then, at the end of the night, we give all the fans an opportunity to actually get up in the ring and have their picture taken with a TNA star. So we're very, very fan interactive.
I've never been a rearview mirror guy. I'm always looking forward, always looking downfield.
When WWF and WCW came along, they weren't the only game in town, but to make a good living, you had to work for one of the two organizations. Without a true Number Two, there is no such thing as a Number One. You're just it; you're just there.
To look back and reflect on the career and sort of look at the seasons of it before I got to the WWF, working the territories and Japan and Texas, Puerto Rico, and then the WWF and WCW, then obviously the TNA years - it's been quite a journey, I'll say that.
I worked seven years in territories in Japan and Puerto Rico and worked my way up to the main events on those cards, then went to the WWF and spent a little while there before I got into the Intercontinental run and a main event runs with Shawn Michaels and Kevin Nash.
