"Judith Viorst"の名言

Infatuation is when you think he's as sexy as Robert Redford, as smart as Henry Kissinger, as noble as Ralph Nader, as funny as Woody Allen, and as athletic as Jimmy Conners. Love is when you realize that he's as sexy as Woody Allen, as smart as Jimmy Connors, as funny as Ralph Nader, as athletic as Henry Kissinger and nothing like Robert Redford - but you'll take him anyway.

Love is the same as like except you feel sexier.

Infatuation is when you think that he's as sexy as Robert Redford, as smart as Henry Kissinger, as noble as Ralph Nader, as funny as Woody Allen, and as athletic as Jimmy Conners. Love is when you realize that he's as sexy as Woody Allen, as smart as Jimmy Conners, as funny as Ralph Nader, as athletic as Henry Kissinger, and nothing like Robert Redford-but you'll take him anyway.

Love is much nicer to be in than an automobile accident, a tight girdle, a higher tax bracket, or a holding pattern over Philadelphia.

I always credited my mother with inspiring me to be a writer because she was such a passionate reader. She read poetry to me as a child. But rather late in life, I've come to appreciate my father, the accountant. He was a solid, organized, get-the-job-done kind of person-and you need that piece of it to be a writer, too.

Nobody who knows me and loves me dearly would ever call me adaptable or flexible. I'm not.

I had lived with my mother in anger and love - I suppose most daughters do - but my children only knew her in one way: As the lady who thought they were smarter than Albert Einstein. As the lady who thought they wrote better than William Shakespeare. As the lady who thought every picture they drew was a Rembrandt.

'Alexander, Who's Trying His Best to Be the Best Boy Ever' was inspired by a combination of my grandson, my son, and myself - all those times when each of us has decided that we're just not going to get into trouble anymore. But it's so hard to be good all of the time!

I actually sat down and started three Alexanders at the same time. Two of them went in the trash and got stomped on because I hated the idea so much. And the one I came up with, I got very excited by. And that's 'Alexander, Who's Trying His Best to Be the Best Boy Ever'.

Kids are always writing me: 'I had a bad day too.' 'I got gum in my hair.' And the kids also write to me to pass on advice to Alexander. My favorite one of those being, 'The next time you have a bad day, blame your brothers.' I didn't expect this. It's certainly the most successful of my books.

Most of the characters I have in my children's books are grouchy or annoyed about something or are calling each other unfriendly names. Like my own kids, they're not honeys and sweetie pies and little angels. They're kids. Sloppy, dirty, stinky.

Love is much nicer to be in than an automobile accident, a tight girdle, a higher tax bracket or a holding pattern over Philadelphia.

Everyone has bad days, and when you're having a bad day, you think, 'Here I am being singled out by a hostile, malicious universe that is picking exclusively on me.' And then you read a book about bad days and realize they happen to everyone, not just tormented, persecuted you.

My mother was born in June and later, feeling a vacancy, chose her birth month for her middle name. Marry to marry, had kids because that's what was done. Liked crossword puzzles, liked lilac trees, liked baking in the sun, and liked Bing Crosby.

I thought that the 40s was a tough decade, because it's when you finally figure out that you're not immortal, when you really start seeing that certain options are closed to you forever: You're not going to be a brain surgeon; you're not going to be a ballerina.

My favorite was 'The Secret Garden'. I loved it, and I think it's had a big influence on all of my characters. 'The Secret Garden' is about transgressions and imperfect people.

I wrote 'And Two Boys Booed' several years ago, but we really chased around looking for the perfect illustrator, so it took a while.

Close friends contribute to our personal growth. They also contribute to our personal pleasure, making the music sound sweeter, the wine taste richer, the laughter ring louder because they are there.

Starting after 60, I thought, 'I'm not going to be able to write a book of poems on the 70s. It's going to be all moans and groans and complaints, and what is there to laugh about?' But I found plenty to laugh about.

Kids need to encounter kids like themselves - kids who can sometimes be crabby and fresh and rebellious, kids who talk back and disobey, tell fibs and get into trouble, and are nonetheless still likable and redeemable.