Miles was still mourning the loss of his Romantic Plan. 'There was going to be champagne, and oysters, and you' -- he held out both hands as though shifting a piece of furniture -- 'were going to be sitting there, and I was going to get down on one knee, and...and...
I love the sound of words, the feel of them, the flow of them. I love the challenge of finding just that perfect combination of words to describe a curl of the lip, a tilt of the chin, a change in the atmosphere. Done well, novel-writing can combine lyricism with practicality in a way that makes one think of grand tapestries, both functional and beautiful. Fifty years from now, I imagine I’ll still be questing after just that right combination of words.
But that initial, comet-blazing-across-the-sky, Big Idea is only the beginning. Each book is composed of a mosaic of thousands of little ideas, ideas that invariably come to me at two in the morning when my alarm is set for seven.
Iris Johansen's lovers weathered the sack of city states and the vagaries of the French Revolution; Judith McNaught's heroines endured amnesia, social ostracism and misunderstandings so big they deserved their own ZIP code.
People who would never sneer at sci-fi and murder mysteries have no trouble damning the whole romance genre without reading one.
One of our fundamental human needs is finding our partner that we hope we will stay with for the rest of our lives. You often find the same search in other genres. The mystery novel has a romance subplot. Literary novels often focus on that relationship but do not often end well.
My official field was Tudor-Stuart England; I also considered myself reasonably competent when it came to Renaissance and Reformation Europe.
When I was 6, a family friend gave me E.L. Konigsburg's 'A Proud Taste for Scarlet and Miniver' and launched me on a full-blown Eleanor obsession. I wanted to ride off on Crusade, to launch a thousand troubadour songs, to marry a king - and then jilt him and marry another.
I went to grad school with the grand plan of getting my Ph.D. and writing weighty, Tudor-Stuart-set historical fiction - from which I emerged with a law degree and a series of light-hearted historical romances about flower-named spies during the Napoleonic wars.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
There's a horrible stereotype of both the romance writer and the romance reader as somehow undereducated and unprofessional, when in fact there are a number of incredibly well-educated professional women who have chosen to leave their other careers and go into writing romance.
Romance tends to be the whipping boy of genre fiction.
My books fall in the wobbly middle between historical fiction and historical romance.
