"Leon Uris"の名言

A novelist must know what his last chapter is going to say and one way or another work toward that last chapter. ... To me it is utterly basic, yet it seems like it's a great secret.

Talent isn't enough. You need motivation-and persistence, too: what Steinbeck called a blend of faith and arrogance. When you're young, plain old poverty can be enough, along with an insatiable hunger for recognition. You have to have that feeling of "I'll show them." If you don't have it, don't become a writer.

Miss Abigail, I want to be an author because writers know when a person is lonely. I mean, when Molly read me some books, those writers reached out and said, Look Gideon, we know about your loneliness and we know you're feeling downtrodden. And they said...I'll stand up for you. You're not lone anymore.

I know writers have to be crazy. But more than that that, they have to get made and stay mad. If things don't make a writer mad, he'll end up writing Flopsy, Mopsy, and Cottantail.

A novel takes the courage of a marathon runner, and as long as you have to run, you might as well be a winning marathon runner. Serendipity and blind faith faith in yourself won't hurt a thing. All the bastards in the world will snicker and sneer because they haven't the talent to zip up their flies by themselves. To hell with them, particularly the critics. Stand in there, son, no matter how badly you are battered and hurt.

This was what I came to found. The conquest of loneliness was the missing link that was one day going to make a decent novelist out of me. If you are out here and cannot close off the loves and hates of all that back there in the real world the memories will overtake you and swamp you and wilt your tenacity. Tenacity stamina... close off to everything and everyone but your writing. That s the bloody price. I don t know maybe it's some kind of ultimate selfishness. Maybe it's part of the killer instinct. Unless you can stash away and bury thoughts of your greatest love you cannot sustain the kind of concentration that breaks most men trying to write a book over a three or four year period.

For an instant he was able to cross the line and understand this strange loyalty of Jew to Jew. Those Jews who lived free in England were only there due to some quirk of fate instead of Aushwitz and every Jew knew that genocide could have happened to his own family except for that quirk of fate. Yet, as time stood suspended, Gilray was all gentiles who never quite understood Jews. He could befriend them, work with them, but never totally understand them. He was all white men who could never quite understand black men and all black men who could never quite understand whites. He was all normal men who could tolerate or even defend homosexuals...but never fully understand them. There is in us all that line that prevents us from fully understanding those who are different.

English of course is your major tool, but it is not nearly so important as other aspects of writing for example you have to have some natural ability you can't buy it no one puts it there you're born with it.