"Luanne Rice"の名言

Clear nights are sometimes the coldest.

Look up.

We think we've seen it all before, we think we know it all by heart.

I traveled to Ireland to research 'Sandcastles,' to visit the coastline where my ancestors looked toward America, the tiny town they once loved so much, and the docks from which they sailed toward their dreams of building a better life for their family. The answers I found on that journey are woven through the novel.

I went to Cork, Ireland, and stood on the dock some of my ancestors had left from. I felt their ghosts gather round me, and I cried to imagine what it must have felt like - leaving that beautiful land and those beloved people, knowing it was forever.

I was married to a law student, and I used to attend classes with him at Georgetown University Law Center. Being of dramatic bent, I was drawn mainly to Criminal law and Evidence classes. A just-beginning writer, I would find an empty chair and listen, mesmerized, to the lectures.

'Little Night' has layers of meaning. There's something enchanted about night. All those heavenly bodies, shooting stars, the crescent moon, celestial phenomenon. Owls fly at night, and first kisses happen. Night is romantic. Alternately, darkness hides the worst of human behavior.

During one new moon at perigee, I stood on high ground, watching salt ponds overflow, cover the beach, and meet the ocean. Because the moon was invisible, the water was black as it drowned the sand, and the event felt primal - which in fact it was, because it was nature.

My mother painted and wrote. She always had a painting in progress on an easel in the kitchen, so our house always smelled like oil paint. At night, she wrote after she'd put my sisters and me to bed, and the sound of her typing was our lullaby.

While novels are fiction, mine are usually very close to my heart. Like my other books, 'The Lemon Orchard' is inspired by something I care about. I care so deeply. The stories are my dreams, and I want to do a lot of research. Roberto is based on a real live friend of mine named Armando who worked in my garden.

My father gave me an old Olympia portable when I was in fourth grade. Our ancestors came from Ireland. Our family stories of immigration helped me understand more about my characters in 'The Lemon Orchard.'

My first three-sisters novel in a while, 'Sandcastles' tells the story of the Sullivan family - two passionate artists and their three wildly different daughters. There's also a renegade nun and a mystery man, but I don't want to give too much away!

Anyone with a heart, with a family, has experienced loss. No one escapes unscathed. Every story of separation is different, but I think we all understand that basic, wrenching emotion that comes from saying goodbye, not knowing if we'll see that person again - or perhaps knowing that we won't.

Here are a few of the actors who have brought my novels to TV life: Bill Pullman, Holly Hunter, Frances McDormand, Julian Sands, Gena Rowlands, Rob Lowe, Julia Ormond, Chelsea Hobbs, Tate Donovan, Anne Heche, Max Martini, Campbell Scott, Kimberly Paisley-Williams, Alexa Vega, and the late legends Richard Kiley and Kim Hunter.

A lot of writers dream of feature films, but television - by way of TNT, CBS, Lifetime, and Hallmark Hall of Fame - has always called my name. And after seeing 'True Detective,' can there be any doubt that the storytelling on TV is as genius as it gets?