"Mindy Kaling"の名言

I simply regard romantic comedies as a subgenre of sci-fi, in which the world created therein has different rules than my regular human world.

If someone called me chubby, it would no longer be something that kept me up late at night. Being called fat is not like being called stupid or unfunny, which is the worst thing you could ever say to me. Do I envy Jennifer Hudson for being able to lose all that weight and look smokin’ hot? Of course, yes. Do I sometimes look at Gisele Bundchen and wonder how awesome life would be if I never had to wear Spanx? Duh, of course. That’s kind of the point of Gisele Bundchen. And maybe I will, once or twice, for a very short period of time. But on the list of things I want to do in my lifetime, that’s not near the top. I mean, it’s not near the bottom either. I’d say it’s right above “Learn to drive a vespa,” but several notches below “film a chase scene for a movie.

I think when men hear that women want a commitment, they think it means commitment to a romantic relationship, but that's not it. It's a commitment to not floating around anywhere. I want a guy who is entrenched in his own life.

What I'd really like to write is a romantic comedy. This is my favorite kind of movie. I feel almost embarrassed revealing this, because the genre has been so degraded in the past twenty years that saying you like romantic comedies is essentially an admission of mild stupidity.

I love that 'Much Ado About Nothing,' passionate, smart fighting. I love fighting with guys, and that's something that I don't get to see: arguing at a high level with a member of the opposite sex. That didn't really happen that much on 'The Office.' I just like that 'Moonlighting,' Benedick-Beatrice type of thing.

As a kid it's adorable to have a gap in your teeth. But then, because of the shifting in my mouth, I started whistling through it, and as a 32-year-old woman, whistling while you speak in sort of annoying.

I fall into that nebulous, quote-unquote, normal American woman size that legions of fashion stylists detest. For the record, I'm a size 8 - this week, anyway. Many stylists hate that size because I think to them, it shows that I lack the discipline to be an ascetic; or the confident, sassy abandon to be a total fatty hedonist.

I have a great job writing for 'The Office,' but, really, all television writers do is dream of one day writing movies. I'll put it this way: At the Oscars the most famous person in the room is, like, Angelina Jolie. At the Emmys the huge exciting celebrity is Bethenny Frankel. You get what I mean.

People take things at face value on social media. Earnestness is the assumption.

People talk about mumblecore but I prefer bumblecore, hyper-realistic bee movies about how bees really are.

I was obsessed with being popular in high school and never achieved it. There's photos from our high school musicals, and I'm comically in the deep background, wearing a beggar's costume.

If I could make a device where people could just intuit everything you are thinking - a little cable you plug into, like, a USB port, I would make a billion dollars.

Anybody can have a birthday. It requires nothing. Murderers have birthdays. It's the opposite of anything that I believe in. And I don't like at work where you stop everything to sing 'Happy Birthday' to someone. I feel like that's for children.

Twitter is so short, it's safe. I don't want my bosses to be like, 'Hey, your script is due and we saw you wrote four blog pages.'

Twitter is the most amazing medium for a comedy writer. I can't get in every idea I want on the show no matter how hard I try to bully the other writers, so it's a way of me getting out other comic ideas and immediately getting feedback.

I think a lot of writers, male and female, write as if their parents were killed in a car accident when they were 2, and they have no one to hold accountable. And unfortunately, I don't have that. I have parents who I care about what they think.

Catharsis isn't art. You can't rely on catharsis to get a laugh. Because guess what? People do laugh when something's shocking, but that is, to me, the absolute fakest of laughs. That's not something that sustains a television series, or a movie, or even 45 minutes of a stand-up set at Carolines.

People don't want to listen to a celebrity tweeting about their charities and shows. That's why comedy writers do well - we put out little funny ideas.

I want a schedule-keeping, waking-up-early, wallet-carrying, picture-hanging man. I don't care if he takes prescription drugs for cholesterol or hair loss.

Almost every college playwright or sketch or improv comedian was sort of aware of Christopher Durang - even kids in high school. His short plays were so accessible to younger people and I think that was inspirational to me.