I think I just look extremely normal, like just a sort of fairly trendy bearded bloke. Whereas Ed, you'd know it's Ed Sheeran from space, you know; you can see him from anywhere.
If you can write a catchy melody and a song that captures people around the world, what better thing to do? Other than 'Let Her Go,' I haven't managed to do that. And that's fine by me.
I learned classical guitar as a kid at about 7 or 8 years old. When I was about 14, I started dabbling in songwriting. That's when I got into the folky singer-songwriter style.
I don't think I've ever really fitted into the industry and the scene. I feel like I've always been on the cusp.
I think Passenger is a bit of an ambiguous thing because in the past, it's been a band, or it's been just me, or a duo or whatever, but I kind of like that as well. I think it's whatever that I'm doing with whoever I'm doing it with!
'Hell Or High Water' was written after the end of a relationship, and I do feel like every Passenger album has the obligatory break-up song.
I've grown up on American songwriters my whole life - listening to Paul Simon and Bob Dylan and people like John Prine - you know, classic, real songwriters. They've been the lion's share of what I've really focused on as a writer and as influences, too.
When I sat down with all the songs before recording, I realised I'd written a few songs specifically about places in America - there was this song about Detroit and another about Yellowstone National Park. My dad is actually American, so I wrote another song about that side of my family.
