Watching people just look out for themselves, I think, is extremely interesting. It goes right back to something like 'The Beggar's Opera' - the underbelly of society, how it operates, and how that reflects their so-called betters.
There's a part of bohemia I love. The lack of prejudice, the lack of aggression, I love the lack, for the most part, of competitiveness. It's more peaceful.
I did 'Deathly Hallows' so my kids could get on the 'Harry Potter' set. They met Daniel Radcliffe, who was a darling and couldn't have been nicer to them so I'm a hero right now.
The Vatican has tried to condemn 'The Magdalene Sisters' as a pack of lies and that I've made it all up - I wish I was that good a dramatist - and in terms of public relations, that was the daftest thing they ever did.
The films that I really enjoy now are films that are made by, for wont of a better word, mavericks.
It's not so much that I want to direct but that I have to. When I write something it terrifies me that if I give it to someone else and it doesn't turn out as it could have done, I'd feel as if I'd orphaned my baby.
In bringing the subject of religious oppression to a wider audience, I didn't just want to kick the Catholic Church but to poke a finger in the throat of theocracy and to let it be known that people shouldn't tolerate this anymore.
