Godshawk looked surprised, the way that people generally do when you ask them philosophical questions in shrubberies in the middle of the night.
Fever jumped aside just in time to dodge the shower of urine, and stumbled into the path of a religious procession - celebrants in robes and pointed hats whirling and clapping and chanting the name of some old-world prophet, 'Hari, Hari! Hari Potter!'
My first encounter with science fiction was reading the work of H.G. Wells when I was nine or ten, and I don't believe 'The War of the Worlds' or 'The Time Machine' have ever been bettered. Plus, I have always had a liking for Victorian and Edwardian clothes and contraptions, which tends to color the worlds I dream up.
I've just written a very gritty, non-magical take on the King Arthur legend, 'Here Lies Arthur,' and I'm currently toying with some other historical ideas, as well as working with the illustrator David Wyatt on some sequels to my Victorian space opera 'Larklight.'
I'm sure it came as no surprise to my friends and family when I became an illustrator and then a writer because, from about the age of five, I was one of those children who always had his nose in a book.
Even tiny children looking at a picture book are using their imaginations, gleaning clues from the images to understand what is happening, and perhaps using the throwaway details which the illustrator includes to add their own elements to the story.
As a child I always steered clear of science fiction, but in the autumn of 1977, the bow-wave of publicity for the first 'Star Wars' movie had already reached me, so I was eager for anything science-fictional.
