Poets writing in English have long learned to mourn from classical precedents. They have drawn on a tradition of pastoral elegies, which incorporate the dead into the cycles of nature, that runs from Theocritus' Idylls to John Milton's 'Lycidas' and Percy Shelley's 'Adonais.'
The power of elegy, even in the face of an unbounded grief, to provide a containing form is vividly embodied by Anne Carson's 'Nox,' a nocturne with carefully controlled visual and tactile properties.
Umberto Poli was born in Trieste in 1883, when the city was at its zenith as the major port of the Habsburgs. The irredentist sympathies of Umberto's Italian-speaking parents can be detected in their giving him the first name of the Italian emperor.
