But I think it's hard for me to only put out one record a year. Because I get too antsy. But it's good I'm learning to do that, because each record counts. And you should make it count.
The idea of 'Freedom's Goblin,' to me, leads to a wild conversation. I would hope that father and son, driving home from the record store, could have a conversation about what that title means. Because to me, it's the duality of being free: the evil and the good, and how it's a constant paradox.
I'm jamming 'Black Sabbath Vol. 4' all the time. Zappa's 'Cruising With Ruben & The Jets.' A lot of Gong lately. Some Hawkwind. The Residents' 'Duck Stab' is amazing. Some Fugs. Lots of stuff, man. I'm pretty schizophrenic with records.
I love Kool Keith; that guy's the best.
No one deserves anything more than anybody else. Because of that fact, you treat everyone the exact same way as best as you can. Same with musical ideas. My ideas aren't better than anybody else's.
Growing up in Orange County, it was all O.C. punk, L.A. punk. Black Flag, all the SST stuff.
My favorite records are, like, The Pretty Things' 'Parachute' and 'S.F. Sorrow' and The Mothers of Invention's 'We're Only in It for the Money' and The Kinks' 'Village Green Preservation Society' - these records that have a story - even if it's not a literal story - because of how they're sequenced and flow. It's like a novel with sound.
My dad is a lawyer and my mom is an artist. So growing up was exactly what it sounds like - strict household but a lot of creativity. They are so psyched that I get to make music for a living. My parents rule.
A good record transports you to another place.
I grew up in a super suburban place where the mundane middle-class issues were similar to what Ray Davies was singing about. All the topics he was singing about were middle-class woes and humanitarian woes - human-being woes.
