"Tyler Joseph"の名言

I don't love the way I look. Nobody does, and if they do, I don't want to be that person's friend. But we all know what we're insecure about. The question I had as I was writing was, 'How are these things affecting the way I live? How am I compensating because I don't like this about myself? What do I do to cover it up?'

There was a lot of pressure to find a genre and stick to it. People would tell me all the time, 'You can't be all things to everyone.' I would say, 'I'm not trying to be! I'm being what I want to be for myself.'

Some people would look at a backing track as something that would confine you, but it really frees us up. It's nice not to be strapped down to a certain spot when you're trying to put on a show.

I had to make 500 shots every day, and when my mom wasn't looking, I'd get up closer to the basket and do lay-ups and count them, and she'd be at the back window at the kitchen and knock. Then I'd have to go back and shoot from longer.

The lyrics are a lot about those big questions: why are we here, how did we get here, what's the point, and what's next. When those questions come up with fans, I would absolutely share with them what has helped me and where I stand on what it is that I believe.

There's been many times when a producer will say, 'I don't think you want to say that.' We were told we shouldn't be so brutally honest about songwriting or radio or the industry.

I like candles. It helps cover up for the fact that I have four male roommates.

We've done that whole spectrum of different varieties of shows, and we've figured out the best way of capturing the audience and taking them to a place where they will have an experience that they will never forget, whether they don't like it, or they actually resonate with what we're trying to do.

Blurryface is this character that I came up with that represents a certain level of insecurity.

Growing up, money is important. And now I have a career where I'm making enough money to live. But I really want to give it to my parents, my family, charities, and people around me.

It's a funny thing. I'll be in my home town of Columbus at a restaurant or something, and the waiter maybe asks, 'What do you do?' and I say, 'Oh, I'm in a band... Twenty One Pilots,' and he'll say, 'Cool, I'll check it out. I never heard of them.' And then I say, 'In September we're playing the Schottenstein Center,' and it's like, 'What?!'

For a long time, we just played here - Columbus is a perfect place to work your way up and maybe build a fan base.

If I were to give advice to someone that just started a band and how to get someone's attention, you've gotta have a central hub. For us, it was Columbus, Ohio.

Our palette is wide and eclectic. That's why we crank out a lot of different styles. To some people, it makes us seem disjointed or scattered. But when we play live, it makes sense to us.

We do things differently. You don't have to worry about being part of a particular genre. You just go for it.

There are times when we look back and think, 'Do you remember when we had to lug a piano downstairs to a basement of some venue to play for five people?' We do a lot of reminiscing. It helps us keep our heads on straight.

We're not the first people to climb up something or do a backflip during a set, but we want to do something that gets people's attention.

Josh is the guy in the band who's just so friendly and super, wanting to walk up to you and say, 'Hey, I'm Josh. I drum in this band, and I'm a big fan of you, and I really appreciate what you do.' Josh has all these great friends in the industry now.

Here in Ohio, the hardcore scene is a big thing, so some of our good friends are in hardcore bands. So we've had to figure out how the heck we get these people to respect us.

A lot of things you do to cover up insecurities can be just as harmful to you as anything else.