"William Boyd"の名言

Maybe we should go by tube', he said. A taxi'll come', she said. 'I'm in no hurry'. She remembered something a woman in Paris had told her once. A woman in her forties, much married, elegant, a little world-weary. There is nothing easier in this world, this woman had claimed, than getting a man to kiss you. Oh really? Eva had said, so how do you do that? Just stand close to a man, the woman has said, very close, as close as you can without touching - he will kiss you in one minute or two. It's inevitable. For them it's like an instinct - they can't resist. Infaillible. So Eva stood close to Romer in the doorway of the shop on Frith Street as he shooted and waved at the passing cars moving down the dark street, hoping one of them might be a taxi. We're out of luck', he said, turning, to find Eva standing very close to him, her face lifted. I'm in no hurry', she said. He reached for her and kissed her.

I chided her gently, reminding her that you can't make these unilateral pacts with life. You can't say: that's it, my emotions are securely locked away, now I'm impregnable, safe from the world's cruelties and disappointments. Better to take them on, come what may, I said, see what strength you have within you.

When you experience bereavement at a youngish age, you suddenly realise that life is unjust and unfair, that bad things will happen, and you have to take that on board.

Even though I've been an avid consumer of contemporary music since my early teens, the world of rock music has always been at something of a distance - I listen to it, read about it, I talk about it, but I've had little or no contact with its denizens.

I tend to admire dead people more than the living. All too often, human reality diminishes the glowing reputation.

As a novelist, where do you go to tap into memories, and impressions, and sensations? It's usually, in my experience, your early life, before you started thinking of yourself as a writer, because somehow those experiences are unadulterated.

I can bore for England on the subject of James Bond. But I knew I couldn't do it frivolously; I had to take it very seriously, however much fun I was having. And I had to make myself, you know, absolutely steeped in Bond and in Fleming and that world.

With film, you have very limited tools to convey subjectivity - voiceover, the camera's point of view, good acting - but even the very best actor in the world is crude by comparison with what you can do in a written paragraph.

In some ways, you could argue, television is doing far more interesting work than the movies. It's more fulfilling.