I always kind of thought I want to be a good person, I want to be right to my fellow men and love them like we're supposed to.
You always hear how female artists don't get along, how they hate each other - but that hasn't been my experience.
Even in stories that I like, with a female character that I love deeply, it always feels like there's something that she has to prove to the male characters before she can even get started.
I always say, if a guy writes the same lead female character type over and over, we are not seeing their writing chops so much as their dating website wishlist.
I've worked with Lars von Trier on many films, and there's always a female character that's like an open wound - everything just pours out of this person.
I've always had difficulties with female characters.
I was always looking for the female characters in sci-fi and fantasy who were more than just the girlfriend.
I have always admired women that have a strong sense of self, complemented by femininity. I especially appreciate the presence of these women in traditionally male-dominated industries, such as real estate.
One's enemies are always talking about 'post-feminism.' It is a word invented by people who would like to do away with feminism.
I always wanted to be a femme fatale. Even when I was a young girl, I never really wanted to be a girl. I wanted to be a woman.
And I always had this idea for making a movie about a femme fatale, because I like these characters. They're a lot of fun, they're sexy, they're manipulative, they're dangerous.
I've always swung the same way. The difference is when I swing and miss, people say, 'He's swinging for the fences.' But when I swing and make contact people say, 'That's a nice swing.' But there's no difference, it's the same swing.
Playing a Fender is an art itself. They're always going out of tune.
I was going out dancing in clubs around New York, and that helped create 'Supermassive Black Hole.' Franz Ferdinand would have done it very well with that dance-type beat going on mixed with alternative guitar, and I've always wanted to find that.
The player I look up to is Rio Ferdinand. I have always played at the back, and I've always tried to base my game on his.
Atletico players have always been characterised by this kind of player in attack like Fernando Torres, Sergio Aguero, Diego Costa, and Radamel Falcao.
Once you've reached the highest level, you always want to get back there. It's like, once you drive a Ferrari, you're not satisfied driving a Honda anymore.
I used to get called 'Ferrari' when I was a kid because I was always running everywhere.
The opposition is indispensable. A good statesman, like any other sensible human being, always learns more from his opposition than from his fervent supporters.
I've always had this incredible sense of urgency. I've always had this desire not to let things fester and to really seize the moment, because it's serendipity.
