The beauty of a woman is not in the clothes she wears, the figure that she carries or the way she combs her hair.
On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
Me and my friend Ioan Gruffudd are like chalk and cheese when it comes to clothes. He lives for his clothes and has an amazing wardrobe. If we're going out I'll turn up at his house and say, 'I haven't got anything to wear,' and he'll tut and sigh and then lend me something swanky.
Richard Chamberlain on The Slipper and the Rose was lovely to work with. He wore the clothes so beautifully and sang his songs so well.
I think women are concerned too much with their clothes. Men don't really care that much about women's clothes. If they like a girl, chances are they'll like her clothes.
I have always been attracted to clothes designed by women. Coco Chanel, Vionnet, Norma Kamali, Donna Karan. They have a little more - how do I put it? - understanding.
When I wear Chanel, I feel like I'm not just wearing clothes: I'm wearing Chanel.
I met Chanel in the 1960s when I was working over in Europe. She sent me clothes all the time because I was only, like, 110.
He was a tubby little chap who looked as if he had been poured into his clothes and had forgotten to say 'when!'
I once knew a chap who had a system of just hanging the baby on the clothes line to dry and he was greatly admired by his fellow citizens for having discovered a wonderful innovation on changing a diaper.
I have always aspired towards other people's looks. When I was young, I loved teddy boys; I thought they looked wonderful. Then I was a cowboy in Arizona, really for the clothes! I had a ranch for five years; I had chaps made of bearskin.
I spend five times more money at a chemist shop than I would at a fashion boutique. Clothes shopping is optional for me; shopping at a chemist store is a must.
I wouldn't like to see a chick of mine taking her clothes off and kissing a fellow on screen. And my girls must get very hurt when they see me doing it.
I started out as a child actor. Back then, I didn't have a manager or company, and I couldn't even dream of having a stylist. My mom made and bought the clothes I would wear. I think that was probably when I first got into fashion.
In a meat-eating world, wearing leather for shoes and clothes and even handbags, the discussion of fur is childish.
After a lifetime of feeling at home in my plus-size body, I was a 27-year-old having self-esteem issues. Clothes shopping stopped being fun and became a chore; I couldn't wear the curve-showing styles I loved without Spanx - and I worried that my new body would affect my training.
If I wanted to do clothes or if I wanted to make a building or design a choreography, you are able to do that - they are all under a similar kind of design umbrella.
The Tao teaches us to let go of things. Use the 80/20 rule. If you take all your clothes, you'll find out that you only wear 20 percent of them. Take what you have and don't use and circulate it. Give stuff to people who truly need it. After all, we come into this world with nothing; we leave this world with nothing.
Most guys in high school wore clothes seen only by their classmates. I wore clothes seen by the world.
The few pounds we spend for an item of clothing isn't the true cost - the real cost is the millions of gallons of clean water that was used to grow the fabric, or the millions of gallons of fresh water that was polluted with toxic chemicals to dye the clothes.
