Know that it is a corpse who loves you and adores you and will never, never leave you!...Look, I am not laughing now, crying, crying for you, Christine, who have torn off my mask and who therefore can never leave me again!...Oh, mad Christine, who wanted to see me!
God wasn't love, couldn't be love. Because for me, love was a corpse.
How talented was death. How many expressions and manipulations of hand, face, body, no two alike.
Women’s bodies are so often under the purview of men, whether it’s our reproductive organs, our sexuality, our weight, our manner of dress. There is a freedom found in decomposition, a body rendered messy, chaotic, and wild. I relish this image when visualizing what will become of my future corpse.
Corpses sour you. They are bad for objectivity.
The face of the dead man was concealed, of course, our customs not being those of the south, where corpses are carried to the grave in open coffins, that they might – one last time before slipping into the pit – be warmed by the light of the sun.
I saw that pain and disease existed and at the same time that they were void of sense and meaning. Among the men of the rabble I had become a creature of a strange, unknown race, so much so that they had forgotten that I had once been part of their world. I had the dreadful sensation that I was not really alive or wholly dead. I was a living corpse, unrelated to the world of living people and at the same time deprived of the oblivion and peace of death.
He would make a lovely corpse.
