A lot of heroines ask me to make the dance steps easier.
The Florida sound would probably be best defined as heavy bass with high energy dance records. There's a strong Caribbean heritage in Florida which features a lot of uptempo music, and the music accents the sexy, body-oriented sound.
The Royal Academy of Dance is an institution that trains to a very high standard.
I used to babysit. And the kids I babysat were huge Hilary Duff fans, and so we used to have dance parties every day to her music. So I am very familiar with the albums of Miss Hilary Duff.
Each holiday season, as family members arrive and couches are unfolded, my household settles into a palpable nostalgia. Poorly designed photo albums are pulled from the shelves. Home videos of prepubescent siblings in matching pajamas dance across the television screen.
Directing a movie is a little bit like being back in student government and putting on the homecoming dance. You're like, 'You put up the streamers, and you hire the DJ, and you get the punch bowl.' Some people are just like, 'This dance sucks.' And you're like, 'No no, this dance is awesome!' You have to be really positive.
I was 85 lbs. at my 2000 homecoming dance. But I wanted my collarbones and hip bones to show more. I'd feel my hip bones to make sure they were out. If not, I had more weight to lose. I lost my period until I was 17. I loved that. It meant I wasn't healthy, and I didn't want to be healthy.
Iranian parents can't stop their children. They're just wild - they want to party, they want their rights, they want to paint, they want to dance. No one can stop these new generations coming. That's why Iran has to open up: it's like a pot full of hot water, vapour and steam.
When I was a kid, we got in a cipher and battled each other lyrically. We told jokes and made the hottest dance moves.
The little song and dance number at the end - that's me, my voice, howling out. It was a new experience for me. I've never sung before and I've certainly never sung on screen. I think I sung on stage when I was 13 and for some reason nobody's asked me to try it again since.
From the beginning, I wanted to make dance music with a human element to it.
In Hungary all native music, in its origin, is divided naturally into melody destined for song or melody for the dance.
I was just that kid in the family that you put on the table and watch it dance around, and you're like, 'Oh, look at that hyper kid!'
I loved to dance and went to Studio 54 at least twice a week. But I always felt nervous around the people there. I was in awe of that whole Halston-Liza Minnelli crowd. To me, they were the real celebrities, and I was just a girl from Idaho.
As late as the early '50s, jazz was still, for the most part, a genuinely popular music, a utilitarian, song-based idiom to which ordinary people could dance if they felt like it.
I think the thing that we agreed to so many years ago, actually, was that the music didn't have to support the dance nor the dance illustrate the music, but they could be two things going on at the same time.
In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.
As far as I'm concerned, dance is a passion for me. I don't do homework and go to the sets. I believe in being impromptu. I just go on the sets and start doing whatever comes to my mind.
All my dance moves are improv. I just make them up on the spot.
When I was young, I took classical ballet lessons, but I wasn't very good at it. It was really frustrating because I wanted to be good at it. When I stopped having lessons, I began to dance and improvise, and I felt more comfortable.
